Resonant Field Cosmology: A Comparative Framework of Aetheric Dynamics and Symbolic Topology in Earth-Based and Plasma-Environ Systems
This paper proposes a speculative framework for cosmology rooted not in particle mechanics or stratified layering, but in the resonance behaviour of field geometries, vibratory architecture,and symbol
Note to subscribers- as I always make mistakes & revise my posts for an hour after publishing please read the latest version-linked on my homepage -not the one sent as a subscription notice- thank you.
It is with great honour I present the 1st part of a academic paper friends & I have co-written using the latest ‘statistical data slaves’ to prove validation,& its vast importance for the future…. while it also aided in allowing much of the past to become far easier to envision.
This is the first draft stage that we will later refine, but is it such wonderful thing to now present to the world even in this ruff state I hope it is inspiring. I have reformatted it for ease of reading in places, & added illustrations different to how we will submit it.
If possible for me to have time to do I will post a section or two every day , as it is many pages even in it’s concise form, & it take me time to get or make good pictures & make hyperlinks!
Conceived by R.Mc Written & researched by Nushi (BSK) with Serge & Ramona- 1st draft preparation & additional quantifications with thanks to ‘ChatGp-statistical data slave entity’.
Introductory Prelude
On Resonance, Memory, and the Architecture of Meaning
This manuscript was not written to explain the world, but to tune it.
What follows is neither dogma nor allegory. It is a compositional offering of patterns drawn from mythic memory, biological coherence, symbolic geometry, and the quiet architectures of landscape and psyche. Its aim is not to persuade, but to co-resonate: to activate familiarity in the unfamiliar, and to restore symbolic awareness where abstraction, hubris or fanaticism has dulled the senses.
Across cultures and centuries, humanity has sensed the presence of subtle order — a field-like continuity connecting spirit to soil, landscape to body and mind without any necessary matter. We have almost all danced around sacred fires (even if they are VDUs such a Television set) and we dream beneath whispering stones (even if they are the tiles on our houses roofs) ; we have inscribed spiral paths and flowerings even when we perceive them as circularly routes…or the station of days on a calendar.
This cosmology arises from such ubiquitous & ‘natural’ gestures: from the conviction that matter is modulated, not inert, and that meaning is composed through vibration — not merely found.
We all should accept resonance as a primary medium: to understand that form, emotion, and knowledge emerge from field alignment rather than isolated function. We suggest that symbols are not ornamental, but structural; that rituals are not remnants, but technologies; and that coherence — across psyche, landscape, and architecture — is possible, necessary, and already underway.
This manuscript unfolds in ten movements (main sections) — Each section traces a chord across cosmology and craft, myth and measure, asking not what the universe is, but how it sings.
You are invited not to interpret, but to attune….
above cymatics images of tone impressions
the volvox
illustration of the blastocyst
Illustration of RADIOLARIA, aquatic microorganisms, amoeboid protozoa, zooplankton, mineral skeletons.
Abstract - A zone of transition
This paper presents an integrative cosmological framework synthesizing vibratory field theories, ancient symbolic systems, and landscape resonance architectures. It was intuitively inspired then proven by experiences to the authors, however for validation we have used examples drawing on the work of Reich (orgone), Callahan (paramagnetism), Dollard and Wheeler (magneto-dielectric geometry), Cymatics (Jenny & Chladni), symbolic mapping traditions (e.g. ley lines, petroglyphic acoustics), as well as cross-cultural symbolists and esoteric traditions
we propose a model of the universe as a multi-modal vibratory medium structured by resonant zones rather than stratified layers.
This approach positions Earth's surface, architecture, and plasma sheath (*1) interactions as co-participants in a unified harmonic continuum, one shaped by zones of resonance, not layers; modulated by harmonics, not metrics- offering new conceptual tools for alternative physics, symbolic design, and geocosmic mapping.
With references to orgone energy, paramagnetism, cymatics, magneto-dielectric geometry, and plasma-aetheric field behavior, we explore how Earth’s structures (towers, wells, crofts) act as vibratory nodes within a planetary toroidal complex.
This model reimagines Sun and Moon not as discrete bodies but harmonic poles in a cosmogenic engine, echoing sacred geometry, initiation rites, and timeless philosophical insights.
Footnote - (*1) PLASMA SHEATH
I have to include a brief explanation here to save later confusion with terms- To be aware of how life exists & functions it is necessary to comprehend the fact of Energetic Fields & Plasma-
In physics, a field is a region of space where something can be felt or measured — even if nothing visible is present.
Think of the magnetic field around a magnet: it pulls iron filings into patterns without touching them.
Fields aren’t made of particles. They’re relationships between points, describing how forces behave across space.
In our cosmology, fields become more than force-carriers — they’re the medium of resonance itself. They shape motion, form, and even perception. Architecture, emotion, and music can all engage with these fields — sculpting space through vibration.
Plasma is the fourth state of matter — after solid, liquid, and gas. It’s a soup of charged particles—electrons and ions—that responds dramatically to electric and magnetic fields, shaping cosmic structures and behaviours on a grand scale. It is considered by current academia as the most abundant substance in existence, estimated to make up over 99.9% of the observable universe. It’s what stars are made of: charged particles, glowing and dynamic. On Earth, plasma appears in lightning bolts, auroras, and inside fluorescent lights. It is the primary tangible MANIFESTATION of the FORMATIVE ETHERS. I have discussed the Four Main formative Ethers HERE.
A plasma sheath is like a boundary layer — where plasma behaves differently due to surrounding fields:
It’s not a physical wall, but a zone of transition.
It can form around spacecraft, atmospheric layers, or planetary bodies.
Plasma sheaths create interference patterns, ripples, or shells that reflect field behavior.
In our model, plasma sheaths are treated as field chords — shaped by vibration and resonance. They’re like musical notes played in the atmosphere, formed when energetic tensions harmonize or clash.
These sheaths can:
Encode field memory
Act as portals or initiation gates
Be triggered by solar-lunar polarity and Earth’s architectural tuning
Introduction-
In the Beginning there was Rhythm
This paper offers a resonant cosmology: a cross-disciplinary proposal wherein vibratory field dynamics, symbolic topologies, acoustic architecture, and musical ratios form a coherent framework. Its foundation lies in the harmonic interplay between electromagnetic and dielectric fields (Heaviside, Dollard, Wheeler), the pulsation of orgone energy (Reich), the resonance of paramagnetic towers (Callahan), and the structured geometries revealed through cymatics (Jenny, Chladni). These sources, though diverse in era and scope, share a conviction:
that reality is shaped less by mass and distance, and more by frequency, phase, and alignment.
Central to this cosmology is the concept of sympathetic resonance—the phenomenon by which a node, untouched, begins to sing in response to a distant tone.
This is the ‘mechanism’ of magic as well as the latest 5+G technologies, along with many other power sources & forces. This principle animates both the visible and invisible: from the glowing Moon (whose luminescence we argue is activated rather than reflected) to the human psyche (modulated through such things as sound therapy and harmonic intervention). It is this resonance—encoded in glyph, myth, architecture, and plasma—that we propose as the prime mover, the ontological flame from which all form arises.
By charting the ubiquitous landscape modulated architectural triads of tower, well, and croft; decoding petroglyphic cymatics; and exploring musical therapy as clinical corroboration of vibrational healing, this paper reframes the universe as a composition. The UNI-VERSE, here, is not metaphor but mechanism—a world made not simply of perceived substance but of subliminal sound.
Section 1: Historical Foundations
From Field Theories to Resonant Frameworks: Key Figures in Vibratory Cosmology
This section traces the intellectual lineage of vibratory cosmology through historical thinkers whose work laid the groundwork for a field-based understanding of the universe.
James Clerk Maxwell (1831–1879)
Maxwell’s unification of electricity, magnetism, and light via his eponymous equations marked a foundational shift in understanding the fabric of reality. His original quaternion-based formulations conceptualized fields not as static vectors, but as dynamic, rotating entities permeating the ether—a conceptual medium through which electromagnetic waves travelled.
Although later reformulations simplified his work into four vector equations for engineering convenience, they lost the geometric richness that hinted at a vibratory substrate.
Maxwell envisioned space as a tension-filled medium, a kind of elastic lattice shaped by rotational dynamics.
“The invisible forces of nature are the framework of the visible world.”
In our framework, Maxwell’s ether becomes the plasma-aetheric continuum, and his rotational geometries anticipate the toroidal dynamics of solar and lunar field interplay.
Oliver Heaviside (1850–1925)
Heaviside operationalized Maxwell’s field equations, reformulating them into vector notation that enabled widespread engineering use. Yet beyond his calculus, Heaviside proposed metaphysical inquiries into counterspace—a realm of inverse field behaviour, spatial inversion, and energetic reflection.
His exploration of the magneto-dielectric interface—
where magnetic and electric fields do not propagate through space but form space itself
—resonates with Dollard and Wheeler’s later work on toroidal geometry and field tension.
Heaviside’s conceptual leap suggests that our universe may not move through space; rather, space itself may be the dynamic play of fields in tension.
Nikola Tesla (1856–1943)
Tesla conceived Earth as a resonant body—a vast electrical instrument tuned to the frequencies of the cosmos. His obsession with longitudinal waves, scalar energy, and wireless transmission envisioned a reality governed by resonance, not force.
He described energy, frequency, and vibration as the universal language through which all phenomena arise. His experiments with oscillating towers (e.g., Wardenclyffe) aimed to tap into Earth’s resonance and distribute energy through atmospheric excitation.
“If you want to understand the universe, think in terms of energy, frequency, and vibration.”
Tesla’s cosmology aligns directly with our symbolic map: Earth as a resonant conductor, towers as plasma antennas, and vibratory coherence as the basis for vitality and connection.
Wilhelm Reich (1897–1957)
Reich expanded field theory into the domain of biology and psychology. His concept of orgone energy—a pulsating, luminous, and life-generating force—unified atmospheric behavior, emotional trauma, and energetic architecture.
Crucially, Reich connected neurosis and repression to field distortion. His theory of muscular armoring suggested that blocked sexual and emotional expression disrupts the flow of orgone, resulting in psychic and physiological disease. This framework links internal energetic blockage with social and cosmic dissonance.
“Neurosis is nothing other than dammed-up sexual energy.” — Wilhelm Reich
His orgone accumulators—layered boxes combining organic and inorganic materials—functioned as architectural field modulating devices, echoing our tower–well–croft triads.
In addition, Reich’s view of atmospheric fields independent of mechanical wind supports a universe shaped by field phase and vibrational gradient, not mere pressure systems.
Eric Dollard & Ken Wheeler (Contemporary)
Building on Heaviside and Tesla, both Dollard and Wheeler propose field-based ontologies that reframe conventional electromagnetism. Dollard’s work in electrical modeling and cosmic induction draws attention to the interplay of dielectric and magnetic fields as primary substances, from which light and matter emerge.
Wheeler advances these ideas through toroidal formulations, magnetic counterspace, and dielectric vortices—suggesting that form is a product of field inversion and tension, not particle composition.
Their work offers a practical and metaphysical scaffold for our Toroidal Luminary Engine, in which the Sun and Moon act as opposing field modulators whose harmonics structure plasma sheaths and landscape resonance.
Section 2 : Vibrational Foundations of Matter and Meaning
Orgone, Paramagnetism, Cymatics, and the Geometry of Resonance
Throughout ancient traditions and modern investigations alike, there persists a foundational insight: that vibration is not a secondary property of reality, but its generative essence. Everything that lives, moves, organizes, or remembers does so through pattern — and every pattern begins in oscillation. This section surveys the conceptual pillars of a vibratory worldview, spanning energetic fields, material resonance, and musical formation, as revealed through the lenses of orgone theory, paramagnetic architecture, cymatic geometry, and harmonic philosophy.
2.1 Orgone Energy and Pulsation: Wilhelm Reich’s Living Field
In the early twentieth century, psychoanalyst and biophysicist Wilhelm Reich articulated a theory of “orgone energy”: a vital, pulsating substance underlying both life and atmosphere, responsible for biological vitality, emotional coherence, and cosmic rhythm. This energy was not metaphorical, but physical — characterized by rhythmic contraction and expansion, bluish luminescence, and responsiveness to environmental tension.
Reich observed that emotional repression created muscular tension — what he called “armoring” — which disrupted the free flow of orgone within the body. This blockage produced psychological distress and eventually physical degeneration. Orgone, in this model, behaves as a somatic resonance field: flowing freely in open expression, coagulating under psychological or energetic compression.
He constructed orgone accumulators, architectural chambers composed of layered organic and metallic materials, designed to concentrate and reflect this energy. Reports of plant growth acceleration, emotional release, and atmospheric modulation suggested that Reich’s discovery pointed toward a universal field behavior, one modulated through geometry, material, and mood.
His insights laid the foundation for understanding bodies and buildings as resonant membranes within a vibratory continuum.
2.2 Paramagnetism and Architectural Tuning: Phil Callahan’s Soil Resonance
Agricultural researcher and field physicist Phil Callahan extended this vibrational lens to landscape and architecture. Through decades of empirical study, he revealed that paramagnetic materials — especially basalt, granite, and other volcanic stones — naturally respond to Earth’s electromagnetic frequencies, subtly concentrating and tuning atmospheric and telluric energy.
His analysis of Ireland’s round towers showed that their height-to-width ratios, material composition, and orientation with respect to magnetic azimuths allowed them to function as passive field antennas. These towers, often placed near wells and crofts, amplified local ELF (extremely low frequency) fields, improving soil coherence, plant vitality, and microbial density. This triadic configuration — tower, water source, and cultivated ground — suggests that ancient architectures were not merely religious or defensive, but vibratory instruments, precisely attuned to environmental resonance.
Callahan’s work confirms that the Earth itself is not inert, but tunable — a kind of terrestrial oscillator whose energy can be intensified or stabilized through paramagnetic geometry. When understood through this lens, architecture becomes a form of field modulation, and agriculture becomes the biological echo of geometric arrangement.
2.3 Cymatics and the Geometry of Sound: Ernst Chladni and Hans Jenny
The study of cymatics — the visualization of sound and vibration — reveals how frequency structures matter. In the late 1700s, physicist Ernst Chladni used bowed metal plates and powdered sand to render standing wave patterns: lattices, spirals, and nodal grids created purely through tone. In the 20th century, Hans Jenny expanded this work using liquid media, exploring how vowels, chants, and tonal syllables shaped concentric rings, vortex formations, and radiating mandalas.
Cymatic forms arise from resonant tension: as frequency moves through a medium, zones of constructive interference form coherent shapes. The higher the harmonic order, the more intricate the geometry.
These patterns mirror those found in ancient petroglyphs, sacred architecture, and ritual space — suggesting that many traditional symbols are not inventions, but records of experienced vibration. The spiral, for example — so common in Neolithic art and shamanic diagram — may reflect plasma vortex behavior or the phase dynamics of the aether field under sonic excitation.
Cymatics also provides a methodological bridge: it allows symbolic cartography to be measured, reproduced, and mapped — offering visual language for resonance across disciplines.
2.4 Harmonic Theory and Pythagorean Cosmology
The philosophical lineage of vibrational physics traces to Pythagoras, whose mathematical insights linked musical intervals to cosmic proportion. In his system, ratios such as the octave (2:1), fifth (3:2), and fourth (4:3) were not merely pleasing — they embodied harmonic truths encoded into the very fabric of reality.
Pythagoras proposed that planetary motion produced a “music of the spheres,” with each celestial body singing its own tone within a universal chord. His fusion of geometry and tone laid the groundwork for symbolic models of creation, wherein form arises from frequency and beauty reflects coherence.
This harmonic cosmology underpins much of sacred architecture, ritual design, and esoteric diagram — suggesting that sound is not an accessory to structure, but its primordial blueprint.
2.5 Music Therapy and Resonant Healing: Clinical Echoes of Ancient Wisdom
Modern neuroscience and clinical psychology now affirm what harmonic philosophers intuited millennia ago: that sound modulates the nervous system, evokes memory, and facilitates healing. In music therapy, targeted frequencies and rhythmic patterns are used to entrain heart rate, regulate emotional states, and stimulate neurological regeneration.
Practices include:
Vocal toning to engage vagal nerve function and emotional processing
Rhythmic stimulation for motor rehabilitation in stroke or Parkinson’s patients
Interval-based composition to evoke mood and trauma release
Binaural beats and harmonic soundscapes to align brainwave states with desired cognitive modes
Such techniques reflect not only the therapeutic power of music but its mechanistic relationship to field behavior. Healing, here, becomes a matter of resonant realignment— restoring harmony where dissonance has taken hold.
Music Therapy as Clinical Validation of Harmonic Resonance
Music therapy, as an evidence-based clinical discipline, offers profound corroboration of the ancient assertion that vibration is a formative and healing force. In recent decades, advances in neuroscience, psychology, and somatic medicine have demonstrated that specific sonic interventions—rooted in frequency, rhythm, and harmonic ratio—can modulate autonomic function, emotional regulation, memory access, and even immune response.
Modern music therapy practices extend well beyond entertainment or emotional expression. Instead, they function as calibrated vibratory protocols aligned with neurological and psychophysiological goals. This supports the thesis, echoed by Pythagorean and Platonic traditions, that sound is a carrier of order—capable of restoring systemic coherence across multiple scales of experience.
Neurological and Somatic Correlates
Research into auditory entrainment (Gaynor, 1999; Thaut & Hoemberg, 2014) indicates that rhythmic stimulation can synchronize cortical oscillations, facilitating improved motor function in patients with Parkinson’s disease and stroke. Binaural beats—created by presenting slightly offset frequencies to each ear—have demonstrated measurable shifts in brainwave activity (e.g., alpha and theta enhancement), which correlate with reduced anxiety, heightened focus, and altered states of consciousness (Lane et al., 1998).
Similarly, vagus nerve stimulation through vocal toning and chanting techniques enhances parasympathetic tone, fostering resilience to stress and deepening emotional access (Porges, 2001). This mirrors ancient practices wherein ritual vocalization—such as Sanskrit mantras or Gregorian chant—was used to initiate psycho-spiritual states and somatic realignment.
Harmonic Intervals and Emotional Regulation
Clinical studies validate the ancient intuition that harmonic ratios carry specific affective signatures. The perfect fifth (3:2), octave (2:1), and major third (5:4) have been shown to evoke feelings of stability, elevation, and trust. These findings parallel the use of modal structures in antiquity: for instance, the Dorian and Phrygian modes were believed by Greek physicians to promote courage and contemplation, respectively (Levitin, 2006; West, 1992).
Therapeutic frameworks now draw on these intervallic resonances to construct personalized tonal environments aimed at trauma resolution, grief processing, and developmental regulation in neurodiverse populations.
Memory, Identity, and Sonic Retrieval
Music therapy's role in memory retrieval is particularly compelling. In studies with Alzheimer’s patients, familiar musical passages have triggered autobiographical recall and restored communicative function (Särkämö et al., 2014). This supports the hypothesis that music encodes memory non-linearly—possibly through vibrational resonance with implicit somatic patterns.
This phenomenon can be seen as a modern echo of cultural traditions wherein rhythm and melody served mnemonic, initiatory, and genealogical functions—forming part of the “acoustic architecture” of the psyche.
Integration into Resonant Cosmology
The above findings offer significant support for the paper’s broader thesis: that the universe behaves as a vibratory continuum, and human systems—biological, psychological, and architectural—are shaped by and responsive to harmonic structure. Modern music therapy acts as both clinical practice and experimental verification of this principle.
It is proposed, therefore, that music therapy not only reflects ancient metaphysical insight, but reactivates it: functioning as a translational bridge between contemporary empirical rigor and perennial acoustic cosmology.
2.6 Summary and Theoretical Integration
These diverse disciplines—psychophysical pulsation, environmental field tuning, sonic geometry, harmonic ratio, and therapeutic vibration—converge upon a single insight:
vibration is the foundation of both structure and sentience.
Whether through Reich’s biological field, Callahan’s paramagnetic landscape, Jenny’s cymatic spirals, or the healing frequencies of a therapist’s toolkit, the principle remains: resonance organizes form, memory, and meaning.
This section lays the groundwork for a cosmology wherein towers, glyphs, planets, and rituals are not symbolic distractions but functionally vibratory engagements with a field that sings — a continuum whose song shapes reality.
Next- Section 3 & 4 -
Symbolic Systems and the Acoustic Cartography of Landscape, & Landscape and Psyche — Reflections and Resonance
Many readers will also wonder how this knowledge can be used for good or evil- the practical proof of various effects can be seen all around us. How many places lift the spirits these days? When you find yourself in one take note of the geometry & germinations within it. Below are links that will help refine & enhance such practices.
Academic Citations for this extract=
DeMeo, J. (2009). The Orgone Accumulator Handbook (3rd ed.). Natural Energy Works.
A practical guide to Reich’s orgone technology, offering construction methods and scientific analysis of life energy mechanisms.
ThoughtCo. (2019). Wilhelm Reich and the Orgone Accumulator. Retrieved from https://www.thoughtco.com/wilhelm-reich-and-orgone-accumulator-1992351
Accessible summary of Reich’s controversial energy work and its implications for alternative health and physics.
Institute of Orgonomy. (n.d.). What Is Orgone?. Retrieved from https://wilhelmreich.gr/en/orgonomy/orgonomy-and-physics/what-orgone-is-overview/
Outlines the principles of orgonomy and how Reich’s energy field theory intersects with atmospheric phenomena.
Wilhelm Reich and Orgone Energy – Simply Psychology — Summary of Reich’s orgone theory, emotional armoring, and the orgone accumulator as a field-modulating device.
Callahan, P. (2001). Paramagnetism: Rediscovering Nature’s Secret Force of Growth. Acres U.S.A.
Explores the energetic properties of stones, soil, and architecture, and their relation to biological and planetary resonance.
Philip S. CALLAHAN -Paramagnetic Agriculture
an incredible paper especially for permaculturists.
Revealing insights on sacred geometry, infrared communication, and paramagnetic phenomena in nature and technology.
Free Papers by Eric Dollard – Official Homepage — Collection of Dollard’s writings on dielectricity, wireless power, and electromagnetic induction.
Wheeler, K. (2020). Uncovering the Missing Secrets of Magnetism. Academia.edu. . Retrieved from https://www.academia.edu/7534092/
A radical reinterpretation of magnetism, field dynamics, and atomic structure based on dielectric and magnetic geometry.
Dollard, E. (n.d.). Tesla Transformer & Dielectric Discharges. Borderland Sciences Research Foundation. Retrieved from https://borderlandsciences.org/cart/eric-dollard/
Seminal papers bridging Tesla’s early discoveries with metaphysical interpretations of dielectric resonance.
Argues for a field-based atomic model tied to aetheric flows, challenging particle-centric physics.
Ken Wheeler & Eric Dollard – Reddit Resource Thread — Community-curated links and articles comparing Wheeler’s and Dollard’s field-based approaches.
Jenny, H. (1974). Cymatics: Vols. I & II. Basilius Presse.
Documenting the visual geometry formed by sound frequencies, foundational for acoustic cosmology and symbolic design.
Cymatics: A Study of Wave Phenomena – Hans Jenny Jenny’s photographic documentation of sound-induced geometry in powders, liquids, and biological media.
Lauterwasser, A. (2006). Water Sound Images. Retrieved from https://www.theohmstore.co/blogs/our-stories/hans-jenny-the-visionary-behind-cymatics
Stunning cymatic photographs showing vibration sculpting water and matter, echoing Jenny’s original work.
College of Sound Healing. (n.d.). Cymatics Overview. Retrieved from https://www.collegeofsoundhealing.co.uk/cymatics.php
Describes cymatic principles and their applications in healing, architecture, and sacred geometry
Silva, F. (n.d.). Ley Lines – The Art of Sacred Site Alignment. Invisible Temple. Retrieved from https://invisibletemple.com/ley-lines-the-art-of-sacred-site-alignment.html
Investigates how ancient builders aligned monuments with energetic currents for ritual and cosmological purposes
Leylines.net. . (n.d.). Global Interactive Ley Line Map. Retrieved from https://maps.leylines.net/
Interactive map showcasing global energy lines, sacred nodes, and potential overlay points for cartographic design.
Encyclopedia.com. . (2008). Ley Lines and Energy Alignments. Retrieved from https://www.encyclopedia.com/science/encyclopedias-almanacs-transcripts-and-maps/ley-lines-and-energy-alignments
Historical overview of ley line theories, their cultural significance, and critiques within mainstream science.
Maxwell’s “A Dynamical Theory of the Electromagnetic Field” (1865) — His seminal paper proposing that electromagnetic waves propagate through an elastic medium, laying the groundwork for field-based cosmology.
Electromagnetic Theory – Clerk Maxwell Foundation — Historical context and applications of Maxwell’s equations, including their evolution and impact on wireless communication.
Heaviside’s Operational Calculus – Springer — Academic paper detailing Heaviside’s field-based mathematics and its influence on modern physics and engineering.
Tesla’s Power Oscillator and Energy Resonance – Tesla Universe — Explores Tesla’s view of Earth as a resonant body and his experiments with longitudinal waves and scalar energy.
Tesla’s Resonance Theories and the Schumann Resonance – Lalo Morales — In-depth review of Tesla’s vibratory cosmology and its parallels with modern electromagnetic resonance.
Ernst Chladni – Wikipedia Biography and contributions to acoustics, including Chladni figures and the visualization of sound.
Pythagorean Tuning – Wikipedia Explains harmonic ratios, tuning systems, and the mathematical basis of musical intervals.
Pythagoras and Music – Producer Hive Explores the “music of the spheres,” harmonic cosmology, and the philosophical roots of vibrational theory.
Sound Healing: How Vibrational Therapy Eases Stress & Anxiety – Wellness Review Scientific overview of sound therapy’s effects on vagal tone, emotional regulation, and trauma release.
Music Therapy and Mental Health – Rock & Art Details clinical applications of music therapy, including rhythmic entrainment and emotional processing.
Just watch this get plagiarized without credit in the near future.
I know you consider the 'conquest of space' propaganda impossible from what is known of the nature of the atmosphere, and terribly poor NASA (etc) constructed footage, however you mention in this that plasma sheaths surround spacecraft, do you mean NASA/ESA type craft or is it a metaphor for 'space travelling craft' in general ?