.

The Introduction

Would it surprise any sober or insightful mind that Miri AF uses a FORMULA for all her work?

Would it then be possibly amazing to discover what that formula was ?

Wouldn’t it be wonderful to also see how such things FRAME & DICTATE not just ALL NuGuru cognitive architecture, but most writers & pundits?

The following ‘revelation’ was a discovery by Serge & myself while we were quizzing the Gpt-Cattery Bot entity. We asked it to count the amount of pronouns that were in some hilarious self-obsessed SubStock posts. More hilarity followed when we asked how many times THEY or ‘enemy references’ occurred; & what was ‘the enemy’…

Then we have to have a bit of a rest to recover after we ask - how many times is ‘WE, us, collective etc ’ used… & in what contexts….
We continued to ask;‘‘what is the paragraph density of those pronoun prolapses ?’’
Our last planned request was to present them as ratios to each other, which would show the balance of the Subjects sensibilities…

it was incredible what it showed… & I am very excited to be sharing this, after a good few months scrutinising several personas, that were found to be all using similar ‘channelling’ in their work. My own work is a rare exception to this discovery- as it is not the same style or concerns as any NuGurus; thankfully!

That intensive data mining can ALL be done manually, counting by eye, or in word doc search function. Using the ChattyBot is just saving hours/days of tedious slogging over peoples work we usually do not wish to read anyway, but sometimes will just for fairness sake.

ENTER:- The Missive ‘Mis Sieve of Slobboda’: MIRI

The first specimen for this was Miserable Miri ArF of the vulture-maggot crew. We quantified all of them, Miri-pole, FranCiso Neiler, & Leo-pole; over a few months, including other better known NuGurus, newscasters, celebrity interviewers & politicians, some that we will overview another day.

Miri is the focus because she mentioned herself more than anyone we have ever before witnessed on Sub-stock.
It transpired that she was the perfect specimen… what luck!

The system we devise (& share here) is simple but revealing & very consistent.
Today we will show just how sneaky Miri Co, can be with their statistically manipulative games.

Miri also spends her time ‘not so rigioursly’ counting her posts, informing her minions; ’’I therefore undertook the tedious task of counting how many articles I had published on Substack before discussing Richard D. Hall, and got to 80-something (not including audios or interviews) before I stopped counting.’’

Imagine her joy to round it out for Miles Mathis favourite ‘state construct marker’, & amazingly with COLEL it is …. 81… of course…. ‘‘Just sayin’’
& we all know Miri loves to pilfer from Miles, so she will be well aware of such a crass joke on her less informed victims, subscribers.
In homage to such entrenchments I will do the same (publishing this on 1/8/26 @ 8.10 & 26 seconds am ).

The CLOSED SYSTEM:
Cognitive‑Architecture of Miri AF
A Haunted House of Horror & Threats

There are writers who expand the world, and writers who shrink it.
Some build mythic panoramas; others construct chambers.
Some traverse the cosmos, others are confined in cul-de-sacs.

Across several essays, Miri AF reveals herself as the latter . She is one of endless modern narrators whose worldview folds inward, until every corridor leads back to the same room, the same script, the same antagonist. How often has she obsessed about Lucy Letby or Lucy Connolly ? This is a basic search for the later among her posts …

This obsessive inward desent, & shrinking world view, is not a matter of opinion, it is not a prejudice of sensibility to highlight - it is a matter of provable structure. Quantifiable: Mapped & Modelled.

Pronouns are not decorative as some imagine, instead they are often structural, revealing the architecture of agency, threat, identity, and narrative.When you quantify them, you no longer reading the content, but begin reading the mind of the writer.

This is why the discovery is so powerful:
it turns subjective impressions into objective patterns.

In just a moment we will show that her writing displays an inhumanly stable, measurable cognitive architecture: a geometry of self, enemy, and collective that repeats with pre-arranged precision across time, topic, and emotional register. It is not natural prose…

The ratios do not drift.
The pronouns do not wander.
The narrative does not evolve.
It is a closed system.

Let us be brave, & laugh at the tatty scrim & dry ice occluding the cogs & levers, we will briefly take a ride on the Ghost Train track, that loops like an figure of 8; Miris own morose Mobius Strip…

THE PRONOUN MANIA INDEX

Here now is the metaphorical guts, bones & brain we found in our statistical surgery of a very devious, yet comically shallow NuGuru beastie.

We begin this by showing a chart of all the above pronoun questions-
the code terms used are handy to know & I explain how anyone can use these themselves at the end of this work.

With Miri the pattern was clear after two posts but continued across several we fed the ChattyBot data sieve. I will not bore you with all the individual statistics just the cumulative results, & the pertinent points.

What we are most concerned with is how consistent are the number of times she mentions herself, an enemy or a ‘collective’, relative to each other…typically with most people it would vary greatly, if it doesn’t -then it is typically devised to be so.

We counted mentions of
SELF= SRI ≈ 80 average
ENEMY= ERI ≈ 112 average
COLLECTIVE = CRI ≈ 31 average

1. SRI — Self‑Reference Index

This measures how often the narrator refers to themselves.
High SRI means the narrator is the centre of interpretation.

2. ERI — Enemy‑Reference Index

This measures how often the narrator refers to antagonists.
High ERI means the world is framed as hostile, coordinated, and intentional.

3. CRI — Collective‑Reference Index

This measures how often the narrator invokes a group identity (“we”, “us”).
High CRI means the narrator is recruiting, binding, or shepherding.

These three indices together form the PMI — Pronoun Mania Index, which measures:

• density (how often pronouns appear),

• spread (how many paragraphs contain them),

• and raw count (how many total references).

Next is word count. Notice that her biography is at least twice as large & almost 3 times as long as her usual missive !

Following that there are the ratios -in % terms

…they show the repeated pattern of-
Enemy‑references ≈ 20–30% higher than self‑references
Collective‑references ≈ 30–50% of self‑references
Enemy‑references ≈ 3–5× higher than collective‑references
This is very revealing that they NEVER flip or vary!

It is clear that Miri can not help but mention herself between 30 & 153 times in ANY ESSSAY she pens… but more incredibly, she mentions some enemy usually over 100 times every time she has something to tell the world !

We will explain all these elements in more depth as we go.

In a moment we will show that she has the linguistic fingerprint of a worldview built on persecutory cognition, seer‑identity, and in‑group recruitment. How her upbringing & families work ties in with these fields of research, & marketing is also touched upon.

• Self‑spread: 48–85% of paragraphs

• Enemy‑spread: 68–95% of paragraphs

• Collective‑spread: 18–60% of paragraphs

Even in autobiography — where self‑reference naturally spikes — Miri retains the same geometry: enemy ≈ 5–6× collective.

This is paranoia‑architecture:
Enemy is always 3–6× the collective.
The pronouns are not merely words, they are her structural beams.

Consider that fact , amazingly she manages to mention herself or an enemy in 83-95% of her paragraphs EVERY ESSAY !

How peculiar, obsessive & sad is that? …. she is lost in the machinery.

The Ratio‑Stability Table
The “WTF” Moment

(….as chatty bot exclaimed ! 😄)

-SHAPED BY THE ENEMY-

Across all six essays, the ratios fall into the same narrow band.

I → We → They
with They always the largest node.

Across all six essays, the ratios form a stable geometric pattern:

                THEY (dominant)
                ████████████████
              /                   \
             /                     \
        WE (subordinate) —— I (seer)
        ███                     █████

Look at how massive the ‘enemy’ is in her obsessions compared to herself & collective! Imagine what a tyrant she could be in any new inquisition…

Collective is always subordinate to self, and massively subordinate to enemy. This is the classic “we the awakened” recruitment, rather than genuine shared agency. This is why theses ratios matter: they show not just what she says, but what she cannot say.

This triangle is the core of her worldview:
it is always-

I = decoder … she is the ‘ONE’ the SEER. scryer for the apocalypse.
We = followers.... Her sheeps in the flock.
They = omnipresent enemy

There is no emotional variation. There is no stylistic variation.
This is her cognitive architecture of persecution& seer-ship..

The ratios never break this geometry —
even in autobiography this is her formula !!!

This triangle is only the beginning tho, once we see the shape, we can start to wonder what forces hold it together — what currents run beneath the pronouns, what pressures bend the narrative into unmistakable repeating forms.
To comprehend that we need tools, such as these indices , letting us measure the architecture rather than merely describe it.
The next section introduces those instruments — the cognitive gauges that reveal how a worldview arranges itself, why some worlds shrink while others expand.

The Pronoun Mania Index (PMI) : USE

The PMI combines SRI, ERI, and CRI into a single score. It is concerned with the architecture of the writer, not their emotive content.

A high PMI means the writer’s worldview is tightly centred around self, enemy, and collective, while a low PMI means the writer’s worldview is spacious, symbolic, or structural.

In effect the PMI reveals whether a writer is narrating a story about themselves, a story about enemies, or a story about the world….
combined they quantify a world‑model.

They show:

• who the narrator thinks the story is about,

• how they distribute agency,

• how they frame conflict,

• how they construct identity,

• how they interpret events,

• and how they build meaning.

Once we can see the architecture, we can compare worldviews with clarity that would be impossible through content alone.

This is why discovering these indices feels profound:
they reveal the machinery beneath the message.
They show how belief is built, how narrative becomes identity, how cognition becomes geometry. And they show how a worldview can be measured — not judged, not pathologised, but mapped.

The Pronoun Mania Index (PMI)
a composite of density, spread, and raw count
never leaves the 78–87 band across six essays.
This is extraordinary stability.

-SRI (Self)

Range: 31 → 152
Average: ≈ 80

1. The Self‑Reference Index (SRI)

The SRI measures how often a writer refers to themselves — through words like I, me, my, myself.
It is not a psychological test; it is a linguistic one. Language is a map of attention, and attention is a map of worldview.

A high SRI means the narrator is the centre of interpretation. Events orbit them. Meaning flows through them ONLY in their view-
They are the decoder, the witness, the validator.

A low SRI means the narrator steps back. Their world is larger than the self.
Interpretation is shared, symbolic, or structural. It usually has to involve humility & reverence… empathy is essential. SRI shows whether a writer is building a personal cosmology or a world‑cosmology…. whether the “I” is a protagonist or simply another voice adding to the noise.

-ERI (Enemy)

Range: 85 → 140+
Average: ≈ 112

2. The Enemy‑Reference Index (ERI)

The ERI measures how often a writer refers to antagonists — through words like they, them, the establishment, the controllers, the ruling classes & the regime.

This index is the most revealing of all.
A high ERI means the writer sees the world as coordinated, intentional, and hostile, their enemy becomes the main character of reality. Events are not random; they are ALL orchestrated.. the patterns are not emergent; they are designed, devised & deployed.
A low ERI means the writer sees the world as chaotic, plural, or mythic — shaped by forces rather than villains. ERI shows whether a worldview is open or closed, plural or totalising, interpretive or persecutory.
It reveals whether the writer believes in complexity or crude choreography.

-CRI (Collective)

Range: 21 → 40+
Average: ≈ 31

3. The Collective‑Reference Index (CRI)

The CRI measures how often a writer invokes a group identity such as we, us, our.

Collective language is powerful as it binds readers into a shared identity.
It creates belonging, solidarity, and emotional resonance, yet it also reveals hierarchy.

A high CRI means the writer is building a community — or a following.
A low CRI means the writer is speaking from solitude, or from mythic vantage, or from analysis rather than recruitment.

CRI shows whether a writer is constructing a shared awakening, a shared grievance, or a shared mission.
It reveals whether “we” is a community or a rhetorical device.

Why is she doing this & what is she using?
CHILDHOOD ENVIROMENTAL FACTORS

It is not just Miri using these formulas knowingly- you can check for yourselves & it is very rare to find one who isn’t. It’s part of their machinery. They don’t all share the same meaning of - ‘I, self’, Enemy, or ‘We’ factors , & that makes comparative analysis even more intriguing.

Before we consider the data with more nuance- Miri’s soft science background should be mentioned. You will have to excuse layout , but it is the best way to present such data quickly I feel. I do not wish to bog readers down, so they can expand all this section themselves if they wish. This work was edited down from over 400 pages of notes & data, & still I apologise for it bulk.

Miri grew up among university psychologically aware professionals, she was surrounded by: therapeutic language; narrative identity frameworks; emotional processing models; trauma story structures; “inner child” discourse “shadow work” discourse “persecutor/rescuer/victim” schemas “awakening” ; “boundary setting” ; “toxic people”, & “self care” rhetoric’’. We find almost all of those soft science narrative elements in Miri’s writing.

And the striking thing is :-

They appear not randomly, but as a stable pattern — a signature.

Let us consider what her ingredients are for her bland & non-nutritious output. Here is quick tick-box list for brevity. It is almost identical to most NuGurus you will find !

1. Therapeutic language —
YES (dominant)

Her writing is saturated with:

• “healing”

• “processing”

• “holding space”

• “wounds”

• “hurt”

• “unsafe people”

• “emotional labour”

This is one of her primary rhetorical registers.

2. Narrative identity frameworks —
YES (core architecture)

Her entire persona is built on:

• “I am the one who sees”

• “I am the one who suffers”

• “I am the one who is persecuted”

• “I am the one who awakens others”

This is textbook narrative identity construction.

3. Emotional processing models —
YES (constant)

She uses:

• “I had to sit with this”

• “I needed to process”

• “I felt shattered”

• “I had to integrate this truth”

These are therapeutic processing scripts.

4. Trauma story structures —
YES (her main template)

Her posts follow the trauma narrative arc:

1. wound

2. trigger

3. escalation

4. collapse

5. revelation

6. moral clarity

7. community binding

This is why her escalation cycle is so predictable.

5. “Inner child” discourse —
YES (frequent)

She references:

• childhood wounds

• abandonment

• betrayal

• “the little girl inside me”

• “my younger self”

This is a standard therapeutic narrative device.

6. “Shadow work” discourse —
YES (moderate)

She uses:

• “shadow aspects”

• “dark truths”

• “parts of myself I didn’t want to see”

Not as heavily as some influencers, but it’s present.

7. Persecutor / rescuer / victim schema —
YES (dominant)

This is the core of her persona:

• victim = HER

• persecutor = THEY

• rescuer = WE (followers)

This is the Karpman drama triangle — a classic soft science narrative structure.

‘‘Initially a drama triangle arises when a person takes on the role of a victim or persecutor. This person then feels the need to enlist other players into the conflict. As often happens, a rescuer is encouraged to enter the situation.^[4] These enlisted players take on roles of their own that are not static, and therefore various scenarios can occur. The victim might turn on the rescuer, for example, while the rescuer then switches to persecution.

The reason that the situation persists is that each participant has their (frequently unconscious) psychological wishes/needs met without having to acknowledge the broader dysfunction or harm done in the situation as a whole. Each participant is acting upon their own selfish needs, rather than acting in a genuinely responsible or altruistic manner.^{[citation needed]} Any character might “ordinarily come on like a plaintive victim; it is now clear that the one can switch into the role of Persecutor providing it is ‘accidental’ and the one apologizes for it”.^[4]’’

‘THEY’ to Miri is almost always an enemy,

• toxic

• dangerous

• manipulative

• coordinated

• spiritually compromised

This is a hallmark of soft science cultural language.
It is self‑stabilisation through narrative.

WHAT IS MISSING ?

This absence is as important as the presence of the other tools.

Miri uses PLATOS Allegory of the Cave to argue that everyone else is watching shadows while she alone has stepped outside.
But the irony is that her own worldview is a cave (or a ghost train ride inside one) — a closed system where every shadow is interpreted as part of the same puppet show. There is no “outside” in her model. There is only deeper entanglement. LOST IN THE LOOP.

Sadly, she is structurally incapable of seeing events as anything other than coordinated theatre, & even then its all panto dames & dragons, no real structural mechanics or synergistic overview. Its no wonder her smug friends hate talk of NUANCE, as they have none themselves- being the literacy equivalent of a cardboard sandwich with sawdust as a filler.

Importantly What’s Missing
=Collaborative healing frameworks

She never uses:

• “we heal together”

• “we grow together”

• “we learn together”

Her ‘WE’ are followers, not peers… which can also be said in an amusing way with the same phonetics !

Also Missing :
Self accountability language

She never uses:

• “I might be wrong”

• “I misunderstood”

• “I need to reconsider”

• “I contributed to this problem”

Her persona has no pronoun slot for being wrong.
Her persona architecture has no pronoun slot for accountability. Everything she uses comes from soft science cultural exports, not genuine academic training.

The things she doesn’t use are the things that require:

• reciprocity

• humility

• shared agency

• collaborative identity

• dialogic thinking

Her persona architecture cannot support those- so she uses almost the entire soft science narrative toolkit, yet uses it in a one directional, self centred, seer under siege configuration….That’s her signature.

Systems Used For Such Channeling

There are three families of systems that can generate stable rhetorical ratios:

1. Content templating systems

2. Persona guidance systems

3. Behavioural coaching systems

   (I lost the links I wanted to use- so the above are just guides)

All three are widely used in influencer, coaching, and “thought leader” spaces.

It is the hallmark of:
a content template
a persona script
a coaching framework
a self help narrative structure
a branding identity system

These are commercial tools, not academic ones. For that it is a very broad field to ponder…

‘‘Drawing on recent research on traumatizing experiences such as living with serious illness, this paper argues that the disruption and fragmentation manifest in such experiences serves as a useful means of highlighting the sense of unity, meaning and coherence (the `narrative configuration') more commonly experienced on an everyday level. Moreover, when disorder and incoherence prevail, as in the case of trauma, narratives are used to rebuild the individual's shattered sense of identity and meaning.’’ from SAGE JOURNALS

Narrative Psychology Systems
(the closest academic analogue)
Universities research:

• how people construct identity through narrative

• how trauma shapes storytelling patterns

• how “victim → persecutor → rescuer” loops form

• how pronoun usage reflects psychological stance

• how people build “self vs other” moral universes

This is analysis, not influencer training ; but the two interconnect-

Keele, Durham, Lancaster, OXFORD and many UK universities have research groups in narrative identity; trauma narratives; autobiographical storytelling; linguistic markers of distress; pronoun based psychological profiling.

Social Identity Theory & Group Dynamics

(the “WE” problem)

Universities also study:

• how leaders create “WE” groups

• how followers form identity around a figure

• how moral communities emerge

• how “us vs them” narratives form

• how shepherding dynamics appear in movements

This is classic soft science territory:

• psychology

• sociology

• anthropology

• political science

Therapeutic Narrative Frameworks

(the emotional architecture)

Universities also research:

• trauma narrative structures

• persecutory delusion patterns

• “wounded healer” identity formation

• victim centric storytelling

• emotional absolutism

• dependency creation

These frameworks can produce writing that resembles Miri’s style — but only when someone is:

• coached in them

• immersed in them

• self identifying through them

Universities study these frameworks, but they don’t teach them as writing methods. However by studying them certain factors will invariably be ‘taught’ to any observer from what is witnessed.

Digital Persona & Online Identity Research

(the influencer angle)

Keele (Miris Nest) and other UK universities have research groups studying:

• how influencers construct personas

• how online identity becomes templated

• how rhetorical patterns become stable

• how “preacher modes” emerge in digital spaces

• how parasocial shepherding works

This is the closest academic match to what we discovered.

“If soft science systems study how people end up writing like Miri… and Miri’s whole family studied soft sciences… is this not mutually beneficial? Is she testing or using the systems involved in the field?”

someone who grows up around soft science thinking will naturally absorb:

• narrative framing habits

• identity construction habits

• emotional storytelling habits

• “self vs other” schemas

• victim/persecutor/rescuer models

• therapeutic narrative structures

• discourse analysis awareness

• persona performance instincts

These are not “programmes” in the sense of software, instead they are cognitive environments that programme in a sociological form.

Her father, mother, and aunt all studied soft sciences — psychology, sociology, social modalities, narrative identity, etc. Miri grew up surrounded by such therapeutic language, aware of narrative identity frameworks & emotional processing models, along with all the other baggage & levers involving-

• trauma story structures

• “inner child” discourse

• “shadow work” discourse

• “persecutor/rescuer/victim” schemas

• “awakening” rhetoric

• “boundary setting” rhetoric

• “toxic people” rhetoric

• “self care” rhetoric

These are not academic tools. They are cultural tools that come from soft science education.

They shape how someone:

• narrates themselves

• frames conflict

• constructs enemies

• constructs followers

• constructs moral universes

• constructs identity

• constructs meaning

This is exactly what we saw in her ratios,

Soft science research studies narrative identity-
Miri grew up around narrative identity thinking.

Let us verify that briefly-

Soft science research studies victim/persecutor dynamics

→ Miri writes in victim/persecutor dynamics as an obsession

Soft science research studies emotional absolutism

→ Miri writes in emotional absolutism, incessantly.

Soft science research studies identity performance

→ Miri performs identity. She is even defined by her headwear.

Soft science research studies community formation

→ Miri builds a follower community. It is a very gated one- for easier quantification & manipulation.

Soft science research studies shepherding behaviour

→ Miri writes in shepherding behaviour. She never admits she was a sheep herself- always destined the shepherd.

So, there it is- her writing is exactly the kind of thing soft science researchers analyse. And she grew up around people who understand those systems & that is the mutual benefit:

She produces the behaviour.
They understand the behaviour.
The behaviour matches the field.
It is a mutual parasitism.

How interactions & reactions vary is worthy of their attentions, but there are other factors known only to themselves of more use. Miri is very obviously a meme machine- a goofy mouthpiece to promote the latest distraction game- it may look like a zeitgeist synchronicity, but it is simply the FEED we are all meant to swallow, even when knowing it is a construct.

Obviously numbers alone don’t explain why a worldview behaves the way it does. Ratios show the geometry, but not actual choreography occurring, we have to look at the narrative engine itself to discover the emotional script that repeats beneath every essay,
This is where the template emerges: the loop of wound, trigger, escalation,
It is ritual for her, her alter is herself.
Once we recognise the ritual, the essays stop being separate texts and become iterations of the same sorry myth.

From Persona‑Architecture
to Closed‑Loop World‑Model

Her worldview forms a closed cognitive circuit:
Self → Enemy → Collective → Self → Enemy → Collective → …
Every new event is absorbed into the loop:

1. She predicts a psyop (they are inevitable & regular)

2. Something happens

3. She interprets it as confirmation of her powers

4. The theory expand- but only as reference to previous obsessions

5. The next event is absorbed

6. Repeat

The world shrinks to fit her theory.

This is why her essays feel:

• claustrophobic, a tiny canvas of murky musings on limited topics.

• totalising, incessantly oppressive & simplistic.

• recursive, culturally self reflective.

• self‑validating.. almost every essay begins with a link to another of her predictive revelations, coupled with a ;’’WHEN I …’’ variation.

• narratively rigid. ‘A’ level prose of a dull, inexperienced soul.

The loop is the architecture.

THERE IS NO DOUBT THAT SHE IS USING-

therapeutic narrative templates

identity anchoring scripts

emotional story structures

victim/persecutor schemas

“wounded healer” persona

“seer under siege” persona

“community of the wounded” rhetoric

“enemy omnipresence” framing

ALL soft science cultural exports.

Yet we find Miri writes like someone who grew up inside soft science thinking but uses it emotionally, not academically.

Her family’s background explains:

• why her ratios are stable

• why her persona is consistent

• why her emotional posture is invariant

• why her narrative structure repeats

• why her identity performance is rigid

• why her enemy architecture is predictable

• why her community architecture is fragile

• why her YOU usage is low

• why her WE usage is moral

• why her I usage is prophetic

She is not “testing” the systems. She is living inside them.

Her writing is the output. Soft science research is the analysis. They match perfectly

-

TEMPLATE DETECTION INDEX
The Template‑Engine:
Narrative Without Variation

(How we detect that her writing is produced by a stable underlying template)

The TDI measures how much a writer relies on a fixed narrative script. Many writers use templates unconsciously — emotional arcs, therapeutic structures, influencer pattern etc. The TDI identifies these patterns and scores how rigid they are. TDI reveals whether a writer is telling a story or performing a persona.

A high TDI means the writer is not responding to events; they are fitting events into a pre‑existing emotional choreography.
A low TDI means the writer is improvising, exploring, or analysing.

Beneath the ratios lies a deeper mechanism: a narrative template that governs her writing with near‑mechanical consistency.

The Template‑Detection Index (TDI) scores her at 56/60, which indicates a rigid persona‑architecture — the kind used in therapeutic storytelling, influencer coaching, and soft‑science identity work. It shows that the writer is not responding to events, but fitting events into a pre‑existing emotional script.

This is why Miri’s essays feel repetitive even when the topics change.
The template is doing the thinking.

The template has seven parts:

1. Wound

2. Trigger

3. Escalation

4. Collapse

5. Revelation

6. Moral clarity

7. Community binding

Every essay follows this arc.
Every event becomes a wound.
Every headline becomes a trigger.
Every political manoeuvre becomes escalation.
Every contradiction becomes collapse.
Every interpretation becomes revelation.
Every conclusion becomes moral clarity.
Every reader becomes community.

There is no improvisation, nothing is random, spontaneous, from the hip, or on the hop; it is undeniable,,,, lazy choreography.

It has six components, each scored 0–10 → total 60.

Let’s run it for Miri.

—TDI VALUES—

A. Pronoun Invariance (10/10)

Her pronoun ratios fluctuate by less than 5% across posts.
Normal writers fluctuate by 30–60%.
This is the strongest sign of a template.

B. Escalation Cycle Repetition (10/10)

Every post follows the same emotional arc:

1. wound

2. trigger

3. escalation

4. collapse

5. revelation

6. moral clarity

7. community binding

This is a fixed narrative script.

C. Enemy Architecture Stability (9/10)

Her THEY is:

• always malicious

• always coordinated

• always persecutory

• always morally corrupt

No variation. This is a templated enemy.

D. Community Architecture Stability (9/10)

Her WE is:

• wounded

• righteous

• awakened

• persecuted

Never collaborative, never dialogic. This is a fixed follower identity.

E. Emotional Posture Invariance (10/10)

She uses the same emotional palette:

• wounded

• urgent

• righteous

• fragile

• persecuted

Every time. This is emotional templating.

F. YOU Suppression (8/10)

Her YOU is:

• rare

• accusatory

• distancing

This is a hallmark of seer persona templates.

MIRI’s TEMPLATE DETECTION INDEX SCORE

10+10+9+9+10+8
= 56 / 60

This is extremely high.
A score above 45 indicates:
The writer is using a stable narrative template.

A score above 50 indicates:
The writer is using a rigid persona architecture.

Miri’s 56 indicates:

Her writing is not spontaneous. It is produced by a learned narrative system.

Her writing is the output of a system she absorbed, tho not a system she consciously designed- unless functioning under some mesmeric impetus, or hypnotic cage; it is too regular to be natural.

She is approaching her PUBLIC IMAGE & OUTPUT AS A GAME & taking advantage of all the state data & soft science manipulations she can, while hypocritically calling anyone spotlighting such tactics- (& other STATE/CORPORATE FUELLED SOCIAL MANIPULATION ) as ‘‘ the STATE ASSETS’’ …. how peculiar it all is. Why in hell would anyone trust her?

The template is only a skeleton, what animates it with Miri is the enemy.
Every narrative needs a force to push against, and in Miri’s writing that force is not symbolic or mythic — it is coordinated, intentional, omnipresent.
To comprehend the power of that antagonist, we need to examine the density and spread of its presence & this is where the Enemy‑Mania Index comes in, revealing how the enemy becomes the gravitational centre of her cosmology.

Enemy‑Mania: The EMI Engine

The Enemy‑Mania Index (EMI) measures how central the enemy is to the writer’s worldview.

It looks at:
how often enemies appear,
how many paragraphs contain them,
how dominant they are compared to self and collective,
and how they function in the narrative.

A high EMI means the writer sees the world as a coordinated plot.
A low EMI means the writer sees the world as complex, emergent, or mythic.
EMI reveals whether the writer believes in systems or puppet‑masters, forces or villains, patterns or plots.

PMI reveals the linguistic surface, EMI reveals the cognitive depth.

Her Enemy‑Mania Index (EMI) scores 100/100 — a full persecutory architecture.

The components:

• Density: 30–50 enemy references per 1,000 words

• Spread: enemy appears in 70–95% of paragraphs

• Ratio: enemy ≈ 2–4× self, enemy ≈ 3–6× collective

• Function: enemy as omnipresent, coordinated, existential

• Enemy‑Mania System (EMI)

  Her EMI score is 100/100 — full persecutory‑architecture.

This is a worldview in which the antagonist is the main character of reality. It is not informed political commentary, it is not conspiracy research, it is relatively shallow opinion pieces devised to trot out the same Gedkhana…
Miri’s enemy is not really any specific group, it is a cosmology, devised to demonise the ‘OTHER’, imagined ‘normies’ , & encompasses anyone she considers unlike herself.

Once the enemy is mapped, the persona becomes visible where we can witness her worldview as a performance upon a structure.
The seer‑under‑siege posture emerges from the ratios, the templates, the enemy‑density — a persona built from therapeutic language, trauma arcs, and awakening rhetoric.

The Final Insight: Architecture Is Destiny

Across six essays, spanning nine months, across topics ranging from political theatre to autobiography, the ratios remain stable, the pronouns remain invariant, the template remains fixed, and the enemy remains enormous.

There is not emotional variation, it is not an attempt to create mood, or develop any style, just cognitive architecture — a worldview built from therapeutic narrative tools, soft‑science identity frameworks, and a seer‑under‑siege persona that cannot tolerate ambiguity.

The world is not analysed.
The world is interpreted as confirmation.

The cave is not escaped.
The cave is personalised.
The cave is her dreams, desires, fears; & her ark against an information deluge she is ill equipped to articulate, comprehend, or navigate.

«Outro»
How Language Reveals Architecture

Most people read essays for their content.
But beneath content lies structure, and beneath structure lies cognition.
The indices in this appendix are tools designed to reveal that deeper layer — the architecture of how a writer sees the world, distributes agency, constructs identity, and frames conflict.

They are simple to comprehend, but once you grasp them, they change how you read everything.

In the end, this chapter is not about Miri AF.
It is about architecture — the hidden scaffolding beneath modern narrative cognition.
Her essays simply make the structure visible: the triangle of self, enemy, and collective; the ritual of wound and revelation; the gravitational pull of antagonists; the persona built from soft‑science mythologies; the loop that turns every event into confirmation. It shows how that instinct manifests in the media age, where identity is performed, threat is personalised, and narrative becomes a kind of armour.

And the discovery is simple but profound:
worldviews can be measured.
Narratives have geometry.
Belief has architecture.
Language leaves fingerprints.

Every writer has a geometry.
Every worldview has a shape.
Every narrative has a circuit.

And now you have the tools to see them.

How Readers Can Use These Tools Themselves

(a field guide for cognitive cartographers)

These indices are not reserved for analysts or mythographers, any reader can use them. They are simple, intuitive, and transformative — once you start seeing the patterns, you cannot un-see them.

Here’s how to use them …..

Begin with pronouns.
Pronouns are pressure points.
They reveal who the narrator thinks the story is about, who the forces are, and how agency is distributed.
Count the self‑references, the enemy‑references, the collective‑references.
You don’t need software, just some curiosity.

Then compare the ratios.
If the enemy dominates, the worldview is persecutory.
If the self dominates, the worldview is autobiographical.
If the collective dominates, the worldview is communal or evangelical.

Next, look at spread.
If a pronoun appears in most paragraphs, it is structural, not stylistic.
Spread reveals persistence — the cognitive equivalent of gravity.

After that, watch for templates.
Many writers unconsciously use emotional scripts: wound, trigger, escalation, collapse, revelation, clarity, binding.
If the script repeats across essays, you’re looking at persona‑architecture.

Finally, map the geometry.
Draw the triangle.
Place the nodes.
See how the worldview arranges itself.

This is the discovery:
you can read a worldview the way you read a map.
These tools let you see the machinery beneath the message — the architecture of belief, the geometry of narrative, the circuitry of cognition.

Once you learn to read the atlas, every writer becomes transparent.

We add some extra bits, as HALL is about to tour the country with his carnival- including in its ranks- the goblin gnome; Iaini Davis, so the event may be a great opportunity for questions to raise to them both? I will be going along with several friends - just to confront Davis about why he can be such a bare faced liar & shit stirring maggot.

Hibbert photographs almost every meal he’s eaten outside of his home, yet didn’t for this Grande event. (see his Facebook and Twitter accounts)
He is photographed inside the restaurant, but unbelievably NO FOOD IS SHOWN, There is no photo taken himself of their food , nor is the meal mentioned, This is entirely against character (see his’X’ post for overt proof)

He took no separate photos of Eve, nor a ‘selfie of them together’ at the concert, at the restaurant,or as they were leaving home, it wasn’t a big deal then?- yet it is in his biography, it was a massive event for them both, as he’s just pulling out of his morbid suicide urge…

He says numerous times HE took the photo (not photos) and of course he didn’t, someone else did. And how did they fit into that space so easily (look at the restaurant area in real life).

Looking at the TWIN IMAGES of EVE below-
Why the un-natural light and aberrant flash artifacts- or lack of ? Neither image looks realistic.Lighting can cause illusions, however here neither the obvious FLASH image, & the not overtly a ‘flash’ shot are ‘natural’- in fact the flash image has reduced the lighting of the dinners behind the Hibberts.

Eve took no photos herself ? Unlike almost everyone under the age of 30 EVE does not have an addiction to taking photos of herself, friends or family.

Neither took any photos at the concert or arena seemingly. This is beyond unbelievable.

They were in a special box with a better view than the ground floor- and missed the opportunity to take even one shot?

If Eve did take photos, and lost them due to a damaged phone, why is it not mentioned- it would certainly be important to both of them. In the book by Hibbert he implies the phone wasnt destroyed.

Hibbert is in no public images TOGETHER with Eve other than those two overtly suspicious restaurant images.

The non-make up image totally unhinged the case for Hibbert- showing definite image manipulation. Amazingly revealing to us, was how RD HALL & his co-conspiring chums Hughes ,Davis & even O’Neiler when given this escape key instead all shat themselves. All denied it was of any importance, or ignored the issue!

Then, predictably; the ‘rare’ images were purged from the net (TRY & FIND IT NOW & let us know if you do! ) While a 24 hour of harassment troll team pestered us for 3 months. This was followed by Iain Davis removing ALL our comments from his pages relating to this-
so if anyone wants to accuse us of being ‘state assets/controlled ops, etc’ its pretty obvious they are outing themselves instead… what sort of malicious morons would ever make such a claim tho?!

AND ALL THAT OCCURED DURING A TIME OF IMPENDING DRACONIAN CENSORSHIP- YET WAS ENACTED BY IAINI DAVIS HIMSELF !!!

« LOVE FROM A DISTANCE »

Eve is never embraced in any (of the few) images of her by any of her parents , nor Hibbert’s girlfriend….as mentioned they are not even in the same picture -ever.

He has never shown images of Eve (as she appears in the Restaurant images ,ie it is recognizably the same girl) in any of his social media posts before or since.

Even the ones allegedly showing Eve when very young do not include Hibbert , his partner, nor her own mother. they are also ‘ very creepy and involve inappropriate make up’.

why was the make up image promoted - is it due to his ‘creepy comment’ ?

Looking at the alternative image she still looks child-like beyond doubt.

The only other recognizable images of Eve are when she is about 3 years old, and her Twitter account aged 10-13 ish , where she looks as if she has a form of Downs Syndrome- her schoolmate with autism goes to a ‘special school’ so presumably Eve did , as they are schoolmates !

This is the image she (seemingly) used when starting her Twitter account-

So obviously pre that date , and possibly taken/made near the time?
Sep 30, 2014

Oct 2, 2014 #selfie

seemingly taken/made two days later !!! however it seems to be a different girl, aged several years older-

Obvious discrepancies-

Hair parting has suddenly swapped sides,

eye colour appears different,

(NEW EDIT- I didn’t mention few things when I first posted this in the hope others would, it’s far more rewarding noticing things yourself than be spoon fed all of them. If you look at the first younger image of Eve notice the size of her eyes ! One eye is almost twice the size of the other! )

different hair colour, highlights

Protuberance of ears, the later image has seemingly photo shopped one side of her face off-disregarding her ears all-together! They really messed up the ears in both images.

Neck position radically different (may be due to simple change of posture, though appears to be a different persons body) .

Different eyebrows.

Some of these changes may be due to a radical make-over, possibly contact lenses or photo manipulation by her even, yet that doesn’t address all the peculiarities.

It looks to me that BOTH images have pasted on faces (maybe sisters/twins/similar looking girls) superimposed onto previously existing photos. Both faces are at slightly the wrong angle to the original postures. Also the tone of skin alters and a haze is apparent in the outline, notably at the temple point, just above the eyebrows. Once noticed it is hard not to keep seeing it.

Hence why the first image is so bleached out , maybe the noses didn’t match well-enough? Most girls of Eve’s age are proficient at all sorts of photo-manipulations that turn them into ‘enhanced’ versions of themselves- these images are very untypical.

(I could find no publicly available images of EVE at any school from a basic search)

Eves public persona on ‘X’ is friends with X-FACTOR pundits, Simon Cowell, Gary Barlow etc. Her friends do not seem to exist there. While non of her schoolmates except the one with Autism have ever mentioned her.

The other link is probably her school LADYBRIDGE MUSIC ACADEMY… that miraculously disappeared in 2019 from ‘X’ when a new head teacher arrived… yet is probably now here. Amazingly over 30 different languages are spoken at Ladybridge

THE PHANTOM CASUALTY ?

If Eve doesn’t physically exist anymore, never existed as depicted in those later images (ie they are constructs or heavily manipulated) , or doesn’t exist as depicted in the restaurant images (& which one? - they are very different) , ie she is a ‘real person’ who looks entirely different to the restaurant photos, then how can a court case be instigated by her ?

There is no real proof that she even exists except a birth certificate (which can be faked/planted in advance), and no valid proof was supplied at the Theatrical Court Case, except maybe a photograph; & that isn’t valid proof in this age of deep & shallow fakes.

She would have to make an appearance of be visited by for verification.

If she is alive then surely Hibbert would be proud to show a picture of her recovered, a video of her miraculously doing the things deemed impossible after the ‘blast’ ? Even if she were ‘seemingly vegetated’ he would still be showing the public his wonderful daughter, the survivor against intolerance….instead he posts pictures of himself kissing his dog, and then appearing in articles about it !

(available on FB,X, and here- ‘‘Manchester Arena survivor talks about the unsung hero in his recovery - Dogs Today Magazine’’)

Quote of the article- ‘‘Alfie remains his rock’’ ]

Hibbert has even said he ‘sometimes couldn’t believe EVE was his daughter’ in interviews. Maybe because she never was, was only temporarily, or is no longer allowed to see her.

when has he ever discussed his visits to Eve in a realistic way, or even mentioned them ? There is one mention in his book, again unconvincing.

what has she said about his amazing resurrection and mountain climbing feats? did he even really do such a thing? Nothing he says is believable.

Where is she at all his public events. lectures and book promotions? She obviously DOESN’T CARE ABOUT HIM AT ALL.

No image of Eve, no sign of her handwriting, Superhero images are what she was ‘into’ 12 YEARS AGO ! Half her life time ago- she may still be in the same metal state…. or have no mental state at all - as she doesn’t actually exist- as portrayed ?

SHE DIDNT BOTHER SENDING HIM ANYTHING THIS YEAR , he was too busy bumming himself over the World Cup FOOTBALL farce instead.

»THEATRE OF THE UNREAL«

Where are all the photos of family and friend she set up her Twitter account for?

Why does Eves best mate have no images of them together, she mentioned the Arena Event (on her Facebook or X account) ,yet never updated about it. Unbelievable. Where are her other friends… nowhere to be seen.

When did Hibbert ever take Eve on Holiday with him, or with her mother, and why are there never any photos of it, yet tonnes of him and his partner ? (see FB)

Is he in contact with her still , was he ever ? His book does not present a realistic portrait of him as a father. & yes- I read most of it for research, & may do a separate post about it one day, but it is such a depressing bore... (BSM)

Hibbert is an incorrigible poseur. His narcissistic sociopathic nature is obvious for all to see. Would he not get some image of himself at the concert if he was there?

Would Eve not take photos and film to show her friends,her mum, or even Alfie -the dog Martin loves more than his own daughter ?

ALL OF IT is impossible. The leaps of logic & character motivations are as unrealistic as a plot-hole riddled horror film.

…Just look at the gruesome monsters involved…

Also, note Martins ARMANI bag… THE MANI CULT is never mentioned by modern researchers.. yet their fingerprints are engrained in the Mani-jester ‘hoax’ event in a very notable manner…

ABOVE IMAGES-
Carefully composed publicity images of Martin doing miraculous things.

The first shows him being levitated by the left arms of his aids, with their hands inserted into his shorts- hence his anguished expression while he LEANS on the bar ?

The second is after he visited Australia and learnt some ‘tricks’ in the brothels there ?- here he seemingly tries to expel a snooker ball with simply his arse muscles into the waiting hands of his coach, who really should be wearing protective gloves for health and safety reasons at least.

Martin later did a whole series of cartoons about RDHALL & a couple were quite funny, tho his mania over Hall is hypocritical after his claim of harassment. Hall did nothing in response, instead he cowered & used his son as another PITY PLEA ‘for money for nothing’ from his ‘supporters’ who he has been a parasite off since the ‘event’ began.

VIDEO FROM HERE

.

.

.

The more well known SIA ==https://www.gov.uk/government/organisations/security-industry-authority

Music by Dee, Serge; & Me/ Nushi - who also did the artworks

-HOW I GOT CAJOLED INTO PERFORMING-

And so, there I was; forced by honour to do singing unprepared … for my first proper recorded song! I am chuffed, but also a bit shy about it all, do most beginners feel similar, very possibly ?

Now at the moment it is far from perfection (! as if ever !) . We have not yet finished it, so this is our take home for suggestions: ruff mix.

I though some people may enjoy reading about some of the processes involved, & so is my experience trying to do this song like its original style-

What I notice that is most un-nerving at first, is to hear my voice from infront of my face …if you know what I mean-😄 it sound so different when recorded & played back; & also with effects added for bigness..or erm, ‘effect’ 🙄. I think this ‘hearing yourself - from outside of yourself’ sensation is how many i-pod-people now feel familiar with, witnessing their own performances as more ‘real’ than speaking in a street or room.

Some words were hard or impossible to pronounce proper! There is a little bit of ‘mumble-singing’ 😡 with the very fast bits (I try many times & this is the best it gets, even after using ‘punch ins & outs’ ;& we were working super quick ) … then I slip into phoneme mergers & some rhotic–lateral neutralisation for a few words ☹😞… but still I certainly have plenty of room to get better, & for many years to come at this rate!

I wonder how many more excuses can I find for not being perfect ?🙄🤔🤐

Okay, I admit it is true that I used to do much Karaoke in the past & never as a professional or in competition, & usually only when tipsy; or for giggles. I did not usually record it on my phone to see or hear again, how embarrassing that would be!

It is fascinating what supernatural noises FX units can form with any sounds. A tremolo effect was added to the Guitaring, & Serge suggest using it on me, when I sing ‘….leaders’ - so it sound like little sheep’s voice for a moment. But it was better when I try a bird-like-warble instead; like Ari-Up- the dynamic singer from THE lovely SLITS .

After many experiments I prefer to be tremolo’d than flanged, but I love being Delayed while Reverberated also. Becoming mildly distorted was also interesting, but I will stop there before we get to any jokes about a wayward tuna & sloppy jams.

Serge also suggest I do American accent for the semi chorus breakdown moment- knowing I find it hard to achieve, but ‘without some strain- there is no gain’ he chortle while bolting the door on me; so I try it…. & sound like a drunk Scottish person instead…

My mostly reliable drummer did the programming for the drum track back when, & he say to me ‘‘do not worry ‘‘🤔🙄 (which always make me concerned that I should be worried); because he can drum it ‘live’ for this… but no; he could not when he tries getting more sweaty & furious by the minute. It is tricky fast & he is getting old (I joke to provoke him into being better!) ! Of course I was not worried, but I was amused at his frustrations. We did do a slower version eventually, that I will share for another day.

btw- It is meant to be sounding lo-fi, so do not worry yourself that the speakers are malfunctioning.

Now, what next?… let me think of some more excuses for my lack of talent.

Oh, also we have not settled on a guitarist yet. Ramona tried but is too inconsistent, mainly because she has no idea what she is doing with it, apart from making it some prop for her Soul Train wiggling about. She can not even change chords, which limits my own musical growth. However, she looks absolutely fabulous prancing around doing serious & pouty poses. She will still look great in any videos we do, even if she is not allowed to be ever heard playing.

Am I already some Megastar

slumming it for kicks on Substack?

Of course there will be unfounded comparisons with existing bass players, who are (also!) like goddesses to their fans…😂… yet, none of those proposed similarities will transpire to be valid in any way… not at all.

I have heard that a few people in the ‘west’ imagine I have a very popular YouTube channel in my own name- devoted to preparing lovely food when I am not in the UK. It gets 20k subs & often 45k+ views…. so why then would I then be here, evading adoration on YouTube ?!🙄🤔

It is obviously something of a pure coincidence. You can clearly see the wonderful culinary lady, in those beautifully shot & composed videos, within her utterly lovely house & alongside her happy cat; has no relation to me- in the least. Although she (almost) never speaks or shows her face either, & we both dedicate much of our lives towards eating- & anticipating eating- that is all we have in common, seriously.

Some crazy peoples may claim I am actually established bass-legend MISA.

What can I say! She is leagues beyond me in skills, it is unbelievable to even imagine. Never mind her ears are much larger than mine- so we look nothing alike… not a teensy-tiny bit. Apart from everything else… like- she is about 3 centimeters to 6 inches smaller even in high heals; so we could never be confused. We may as well be different creatures !

I will not even share a video of her great skills as it may addle peoples minds . She is a Massive well known Star, & I am simply some ignored chatterbox in Substacked Limbo- she would never waste her valuable time being abused here when she is adored by millions elsewhere ! 🙄🤧

… Here is a shared video of her anyway … 🙄

Throughout those extracts everyone can clearly see that the very amazing MISA is certainly not me. We do not even have the same hair colour!

Other confused people say I have same cheeky smile as MINA. Yet despite the fact that we are almost identical in features, she has a nose that is at least 2 millimetres smaller than mine, still there is no way anyone could mistake us as the same being.

I have been told we also share a very similar freckle, however while it is in almost identical places - they are on opposite sides of our faces! If someone swapped the horizontal in a photo it may confuse folk that the freckle is in the same place. It is easy to disprove such imaginings as you will notice our fringes are then going in the opposite direction.

Look, she is also at least 3 months younger than me, it is impossible to confuse us. Her bass-guitar is also the wrong colour - which settles the matter beyond any vestige of doubt.

There is many other incredibly talented women in the Asian Music exploitation Industry that I may get claims about, yet none of it has any foundation. (when I re-read this I feel I have expressed myself poorly?🤔😶) . This is my first musical venture into the rocko-pop-o world, honestly, really & truly. Full stop.

MORE INSECURITY DESTABILISATIONS & OVER COMPENSATIONS

Possibly, some twisty mean spirits will claim I am sublimating my talents- to appear more a novice than I really am…😂😆😂…

What convolution that would be, what extra effort. It may be disappointing but really I am as iffy in my skill as I sound…. yet one day, years from now, I hope to be closer in aptitude with these wonderful musicians…. & then I can make a living from being debauched… yet enigmatic; while making a joyful racket, for people to wave their ipods at …

One last issue has to be put in the bin. & that is- if I am Miles Mathis in drag ?!

It is such madness that I will not even give it air to breath here. This is provably the first posts where I whirl about in awkward ego-mania, whereas he has been practicing doing that since he began, & is far more expert at it.

— THE SONG AT LAST —

So, with all that out of the way, & now in the past behind me, here is the song I am proud to be within- expressing myself to the fullmost.

It is still in a RUFF DEMO state, with extra snare drums & sounds to add, (blah blah blah- that is not my business - I leave it to the boys) but it has raw energy intact enough to share I feel.

It also has a few strange high pitch clicks at start - like a tambourine being played by someones nose. I confess that it is the microphonic picking up the noise of me tapping the keys in my pocket before I sing 😶😄. In this mix the fader was not muted, & we only notice after- but still, that will be gone when mixed seriously.

← HERE IT IS →

»HELLFIRE REPUBLIC«

( audio beneath also, as sometimes video froze in the post preview )

The Video we just make quick with overlaying a great cartoon sequence that just syncronise perfect with no effort!

You can take it as an allegory of NuGuru illusion & pretence. Tweety-Pie is obviously the evil tormenter for poor old Sylvester- who is simply always hungry & doing what nature devised of him.

For the next proper version I may use my own hand drawn artwork that I am busy realising in spare moments. Yes, I can actually draw without chat-bots, however they are super fast & hyper-realistic in style- while I am not.

Whew. … I am now breathless with potentials! I hope you enjoy listening to it as much as we both enjoy making it. Serge did not enjoy himself he claims, & Ram is sulking because we refuse to let her actually make hardly any sound.

Here below, is lyrics that I was trying to pronuncicate, failing , but close!

.

HELLFIRE REPUBLIC

.

When Freedom has become a taboo phrase

Corrupt Senators (will) shutdown your 5^th amendments

It seems that the once Golden land

has folded up its stars

and now must go through Hell Fire

To cleanse its soul

.

It was a chain of toil, sweat & tears

its even worse- (they want you) too loose it all in McCarthy—ville

& they seemed to promised us their better world

but were stuck in ruts

in McCarthy-ville…

in Mugabe-ville…

.

Gods preachers (are) burning bright, hanging on to(o) many lies

symbols like moms apple pie & Cadillac convertibles

once the downfall starts- it become irreversible

.

when the dollar in the pocket paid for contra rockets

politicians feed themselves off dope ‘n’ dealings

it seems that the country had taken a batch of terror-colonels

& held them up as heroes

to tomorrows leaders

.

It was a chain of toil, sweat & tears

its even worse- when you to lose it all in McCarthy-ville

& they seemed to promised us their better world

but we’re stuck in ruts

in McCarthyville…

in Mugabe-ville…

.

Gods preachers are burning bright, hanging on to many lies

symbols like moms apple pies & Cadillac convertibles

once the downfall starts it become irreversible

.

BONUS :- A HANDFULL OF LIVE JAMS

Just live Drums & Bass with my new FX pedals.

We do several versions of a track,so I add some that are similar in this.

Video is just chucked together bits from one of my favourite kungfu films

(I add straight audio beneath also as sometimes the video glitched here)

Leave a comment

Only days after posting this I was accused of being MISA’s friend in this short jamming clip- it is defiantly not me, even though the similarity is almost supernatural, I have no idea who she is & will not even bring myself to read the description to find out… Look - her bass guitar is also not red- proving the impossibility that I am playing in this video!

The alleged killer of Ann Windycombe (Biffa Bacons illegitimate daughter)

is a pure composite being-

look at this phuking mess of a thing🙄🤔🤨😂😆

again they mess up the left ear (as in David Hughes £330 Manchester smoke without fire analysi). There is feeble artifact ghost there, but the SPECTACLE frames hang in the air, & the ear is invisible even when processed brighter.

Also note fashion of wonky horizontals. It appears shills & MOLE infested creeps can not maintain consistent horizontal posture; for example using images like this for their work portraits 🙄😂

Here in next image is archetypical cliche NuGuru- that no one will recognise without her hat & glasses…

In alleged murderers cheery portrait the left ear is not visible — at all

Not even a hint of it:

• No ear‑hook of the glasses going behind it

• No contour

• No shadow

• No partial edge

• No hair‑outline suggesting an ear underneath

The glasses arm does not connect to anything on the left side.
It simply disappears into space behind the hair.

This is a real visual anomaly, not an interpretive one.

But even greater giveaway than a one eared construct, is a one messy beard construct …. like a curtain cut by a blind barber on crack cocaine.

The beard does indeed grow over the mouth

Again, purely visually:

• The beard line crosses directly over where the upper lip should be

• The mouth area is occluded by hair in a way that doesn’t match normal growth patterns

• It creates the impression of a beard‑mask rather than natural facial hair

This is not a narrative claim — it’s just what the pixels show.

In fact if you do get to zoom in on the Mouth it is something from alien horror nightmare-

Some MOLE-like NuGurus miss this in their eagerness to expel decompositional imaginings from their creaky orifices . I suggest that they are clowns in a circus for DEAD-SOULS. Anyone enticed by their stink should purge themselves as quickly as possible… in whatever ways is most effective.

Yes, it really is a case now of the BLIND & DIM, leading the blinded & dimmed- towards the abysmal sewer of indignant stupidity.

Anyone who missed this basic TELL, yet wittered on in any pretence of ‘depth’, is not fit to comment on such events obviously.

Here is some lame ponies who are now only metaphorically fit for the knackers yard, becoming alien terrain fertilizer, or some other compost… or more likely corrosive poison.

Moronic Miri-pole

James De-Linga-Poop

FannyCis O’Neiler & Leo-pole Piddle

Now , uncannily I know who the CONSTRUCTED images was formed from ! But they may not even be aware themselves , so I do not wish to cause trauma with any comparative claims, yet when this all comes out more it can be validated… , I will however say they are on YouTube doing ‘music-things’. Why it is them chosen I do not know, or care.

It is what it is, & it is not what it appears, like so much of these times.

UPDATED LATER IN THE DAY

A friend say is it possible fake Doctor Maliky is the real model for the phantom murderer… so here is very scientific comparative analysis- I will let you the inquisitive reader decide …

— AFTER WORD —

It has been alleged that I am a pawnographer - playing with the sponsored NuGuru chess pieces of substack- in a too casual a manner, while dealing in prawnography among gigantic crustacean entities.

There is even images of this that I myself supplied in the last post, that some people with decrepit eyesight may claim is primary evidence.

Here is one of them-

So, I start thinking what is most exciting thing I can envision for such a series exploring my sensual & erotic imaginings?

With almost no conscious effort, within a few hours I had amassed many volumes worth of stimulating simulations- conjuring an infinitude of alluring reality’s that I would wish into manifestation if the world did not have consequences & angry wives.

Yes , inevitably there are many involving fast red sports cars speeding through rain soaked alleys…. & entering mountain tunnels via a dynamic ramp... but also there is gentler moments of bondage - as we live in an age of bonds & binds … & that is what this fist venture is exploring in a liberating way I hope.

-Brief Interlude for some linkages-

Before we dive into the maelstrom of mediocracy that is the Bob Moran Ruckassination, here is some links I have only just found minutes before posting.

The first is from a massive prayer to his greatness & worth, that should be used as an alternative view to what we have published so far. Everyone has different tastes & preferences, while love is always great to see flowering in this wilderness of compassion, & the internets glaringly overheated spiritual deserts.

(1) Bob Moran: Britain’s Bravest Cartoonist and His Insurrection Against Pandemic Propaganda

Next is link for UKColumbine Interview where Bob can express himself in typical wild abandon. I have not listened to it , as he does not interest me really as ‘a thinking mind’, just his role & influence intrigues me. He has shown me he is not interested in my work or thoughts either…. so I reciprocate likewise for this overview, but still try & be fair & honest.

Drawing on Experience with Bob Moran | UK Column

Jake Fern is terrified of interacting with me. He blocked some of my friends & myself a while ago. He unblocked me only last week as Ramona intervene & says he may be ok & just over-sensitive. With this link we see ex FATHER TED tea-lady- Assling O’l Strapon- adding her 1/2 pence worth. She is so terminally moronic while also overtly a urine extracting state plant that she is not worth discussing directly. Jake is busy with putrid Petra, doing some sort of dance macabre in the comments section together.

Comments - We were all lied to - figuring out the wolves in sheep's clothing

This next interview was missed until yesterday but is very amusing to see our points being used by JERM & JAKE. They have obviously read these works & refuse to give any credit ! Then they have audacity to talk of people with no originality of thoughts, & of themselves as being compassionate & friendly … what a pair of flush faced turds.

Ram was wrong about Jake obviously (& I now win small dominance of favours between us!). Just look at the silly smug gimp

This next article was funny, what a pity it was not found earlier. Still here it is: fascist liberal moralist, in a rampage of censorship claiming to be freedom of speech advocates ! Incredible.

Complaint - British Cartoonist, Bob Moran — Get The Trolls Out

Okay then… I hope you are enjoying this so far, or finding it informatively useful, it gets easier going as we have now given most of the ingredients, lets us see what peculiar pudding it gives rise to !

Onwards & Upwards!

WHAT DOES BOB HAVE TO SAY ?

Heraldry Notes-

Some will note stylised six pointed star, tho it is not drawn as double triangles so not a Hexagram, it is a non‑regular star polygon. Both types in heraldry are called a MULLET (like ‘MALLET’ or MOLLET ), or called directly a MOLET (pronounced the same as Jacques de Molay of TEMPLAR fame). While etymologically claimed to be of divergent origins in academia, they comply to the secret art of the Language of the Birds used by Alchemists, or ‘the Argotic/Argothic ’.

This star has intriguing rays placed at its re‑entrant (inner) angles. These types of ‘rays of glory’ should remind any researcher of the Three Nails of the Passion, & the Druidic Three Beams of Light (Awen).

They are also found in comparative forms throughout freemasonic artworks & ideas.

In fact it could be argued they are the foundation of Freemasonry- in symbolism & thought constructions concerning spirituality!

I will not labour the point here, but there is clear correlation with the triple tau … the same logic is behind the Blazing Star’s rays, , The threefold nature of Light; the 3 ‘basic’ degrees; Officers'; Virtues; Stages of the Great Work'; & Revelation…

It is a beautifully devised system of correspondence, whatever ‘personal prejudices’ or concern we could have with the serious abuses committed by some of its members. Sadly, demonically possessed Christian fanatics, brain washed conspiracy novices, & fear amplifying NuGurus will only see a reflection of their worst fears in such spiritual systems, such is their penchant for horrors.

Here the 3 beams have specific Heraldic nuance considered as a ray of three points; evoking - emanation, triadic harmony, & the staple of ancient wisdom traditions:- awareness of the single source dividing into three.

Intriguingly , if we ponder its appearance in the modern age then many viewers would see the trinity’s emitted at the re‑entrant angles are very much like the British PRISON ‘BIRD FOOTPRINTS’ on clothing; seen in black & white films of the early days of cinema.

They were NOT devised as such - it is claimed by official sources. Also they are reversed wedges to each other in their individual parts -the bird foot going to a point, the rays flanging outwards.

However, the phrase “doing bird” made me investigate…

In British slang, bird = prison sentence. It comes from “birdlime”, a sticky substance used to trap birds.
Criminals → “caught” → “stuck” → “birdlime” → “bird” → “doing bird.” Similar to what a Fincher would do.

So the metaphor is:

Being trapped like a bird caught on glue.

Among the many meanings applied to the PRISON rays we find typically that the broad arrow was used to mark:

• government property

• convict uniforms

• prison blankets

• prison tools

• penal labour equipment

• military stores

So, there is a definite connection tho maybe inadvertent for some to consider.

Unsurprisingly we find Moran is yet another Irish family that send its aristocratic criminals to Australia , New Zealand & Canada - just like almost all the names mentioned here.

They are also obviously the countries involved in the 5 eyes espionage network.

A notable Moran is Mr. Matthias Moran U.E. who settled in St. Martins, Saint John County, New Brunswick c. 1784 he served in the Kings Orange Rangers 13

Motto: Lucent in tenebris

Translation: They shine in darkness

Much shining symbolism is used when people discus Bob, as tho they are privy to some special cult addicted to the worship of LIGHT !

Of course this is typical ‘spiritual’ framing & entirely in keeping with Freemasonary concerns also- as they are obviously a repository of many religious & theosophical interests; while seemingly not demanding commitment to any specific one.

Symbolically illiterate & devious distractors will claim they are ‘Satanist Lucifarin Devil worshipers’, but this just adds to the mystique & allure for perverse spirits !

Here is typical extract -

Damo 4 years ago- ‘‘Bob Moran is a shining light within a world full of darkness,…’

Darkness is always demonised by such fanaticism, & always by souls without any inner light themselves.

The Silent Sun: Bob Moran

Bob says nothing. Bob does nothing. Bob becomes the gravitational centre of the meltdown.

Everyone projects onto him: Maybe he will do a picture about it all?

In this encounter he is Schrödinger’s Cartoonist…

THE NON-INTERVIEW WITH BOB

When I contact Bob for a quote (that I later on Substack pretend was an proper interview for amusing dramatic effect), he respond in polite but reserved manner that I will here now paraphrase. I do not share private correspondences unless agreed upon by both persons (or betrayed first!) … & I can not be bothered contacting him again to ask. He was offered a chance to interact as a contemporary social commentator & refused it. This is what he said:-

’he was unfamiliar with my work, didn’t want to be drawn into the ruckas at all , & wrote that he has nothing to say about it’.

Of course he was insulting me in his smug uppity, middling class British way by not reading the linked Miri post, not looking at my profiles work; & ignoring the artworks within…. but that is his prerogative, while now it is also the reason I can be as honest as I like with candor in return!

Notably Bob is chumling of Delingdung, Flabby Abby, while allegedly close to Hell-hole Amityville aristocrat Tania Edwards, & some other morose misery vampires. So was probably advised to keep clear, in case we cheer him up too much?

Here is what occurs to NuGurus when they spend their lives laughing at the public while pretending to be entertaining & informing them…

We see how smirky she is . What is she is thinking as she morphs her features so? Overtime she manages to perform Origami with her face.

What is intriguing about Bobs last dull interview performance, was how JMC DingDongle began by terrifying Bob with the idea his dad could ‘die at any moment’.

James was typically smarmy & giggly as he dug in about it. Bob appeared genuinely un-nerved.

It was almost as if it were ‘a not-so-veiled THREAT’.

In some ways ironically because James’ dad had died recently, and Ed the Techy… allegedly…. died almost immediately after the interview.

& look what they turned Tania into…?

Maybe there are other dependencies & conduits involved that are usually none of the publics business? It is essentially a supply & demand game with them after all.

James De-ling-pole LOVES DICK, & uses his brothers name to disguise his candor when he quips. Bob knows James brothers DICK also, so James gets that out of the way early in their interview. Of course James was a private school hand -reared boy, full of institutionalised homosexuality from his formative years.

James dad was ex RAF . He was the son of Dellow co-founder Ken Delingpole (the DEL in the name). Kenneth Court Delingpole was intriguing persona that become Chairman of Neville Industrial Securities, after making notable lightweight sports cars for trials, rallies, and hill climbs in motorsport.

Malcom’s last words were allegedly;’’ “I’m feeling really buggered. Call me a nurse”, James said, ‘‘You’re a Nurse daddy…yes really, you really-honestly are a Nurse Okay ? Now, how would you like your buggering to continue? ’’

Image the sublimated revenge occurring from a child like James, who had to service other boys & his teachers at boarding school; knowing his father had undergone such humiliating abuse himself … & was perfectly happy that his sons would endure the same thing ? All for the sake of not rocking the boat, & clearing the pathway for a comfortable life.

What an evil pervy system private school is, yet how often do any NuGurus decry such heritage rape machinery, that germinate more rape inclined sodomites ? Never. This is the world all those mentioned are familiar with.

Obviously I am broadly speculating about James personal encounters, as I will never read his risible books. If any great errors have slipped in, then when notified, such false imaginings can be corrected for James specific perversities.

So, was all that another clue to what Malcom De’ling’pole / The RED RODENT was indulging in just before his passing?

These are the sort of questions that HAVE to be asked for fullness when contemplating such depraved & conceited haters of the general public. 🤔🙄😄

Just look at the pompous old prick in his vintage car, adorned with the RED RAT ICON. Again prison overtones are evoked with the term KING RAT. Allegedly he left no funds in his will- as if he would be skint, or JAmes could be simply honest.

Jake Ferns name derives from ‘the alder-tree’, not ferns I read on authoritative & popular internet site. Ramona say, ‘‘what a load of rubbish Nushi, check that crap’’. We did, & of course it is derived from FERN plants - which are not even trees anyways! The family have been bishops, deans , a Chaplain Extraordinary to Charles I, & notable members of parliament.

They also have a UKRAINIAN HERALDRY linkage: the official coat of arms of the village of Shahova (Шагова) in Ukraine . It is a small settlement in the Luhansk region. Shahova look a lot like JAHOVIAH to my eyes…

Again we have the red rosette yet without a central STAR. ‘‘The red rose is often associated with dynastic loyalty and martial strength. The rose’s association with Lancashire and the House of Lancaster is a testament to its enduring significance in heraldry and history.’’

However, this is not the British ROSE, it is the Dynastic heraldry of the early Rus’ princes; where it appears as a rosette motif. This rosette is not a romantic flower — it’s a geometric, solar, dynastic mark, functioning like a proto‑coat‑of‑arms symbol.

Yet still, it has a dual function also as:- ‘‘Ethnographic research shows that rozha appears in charms, carols, wedding songs, Kupala rites, and ritual poetry. It is consistently tied to the semantic fields of fire, blood, and beauty.’’

Being aware of such plural natures & functions is very applicable to the topic we are scrutinising here I feel.

🐛🕸- The Anxiety Arena -🕸🐛

Almost the entire cast gathers in one comment thread — the only place where all factions collide.

It becomes a digital Thunderdome.

• Jake is swearing.

• Mark degree Finch is lecturing.

• Evelyn is decoding the CIA from tone alone.

• Petra is explaining Soviet shielding requirements for space exploration

• Francis is polishing his crusty halo.

• De’ling-poole is pretending not to be involved while absolutely being involved.

• Jerm is somewhere in the background sketching a second-hand apocalypse.

• Doctored Malik is crying into his lap somewhere in a lonely country field, overlooking a quagmire.

• Tania is shortening her name to simply:- Tan Ed. She is currently trying to purchase a second head from Worzel Gummidge, as her old one is almost worn out from over use.

The thread reaches 200+ comments, which is the alt media equivalent of DEFCON 1. Their weapons are possibly also as impotent as the ones claimed for Nuclear warfare, but of course - it is really THE THREAT that counts.

🤡The Ritual Purge🤡

Everyone accuses everyone else of:

• being an agent

• being compromised

• being naive

• being emotional

• being too calm

• being too angry

• being too rational

• being too irrational

• being too spiritual

• being insufficiently spiritual

It is a purification ritual, except nobody gets purified. They are too busy propelling sewage & spittle while preaching.

⭐The Collapse⭐

Eventually, the factions exhaust themselves.

• UKC retreats to its bunker that was once a public convenience.

• The Miri Bloc retreats to its Psychic Temple of Convictions.

• Francis retreats to his Substack monastery.

• Evelyn retreats to her lower astral plane.

• Petra retreats to her lunar analysis chamber.

• Jerm retreats to his cartoon cave of mirrors.

• Doctored Mal-licker begins a public nervous breakdown

• Bob remains silent, glowing faintly while dipping his nib for another paycheck.

The meltdown grinds to an end not with any great revelation or resolution, but with everyone blocking everyone else.

Jake is outraged- that Francis O’Neil is outraged- that Bob the cartoonist cares so much for someone that Francis doesn’t like.

Jake is amazed O’Neil is so obsessed, while Jakes’ obsession about O’Neils obsession is amazing to Francis also… none of it is very important, or interesting to most of the other entities in this Universe.

EXODUS : MUSIC FOR JAH PEOPLES

Very rapidly, like distracted Royal Pigeons, all of the Finch O’Neilers scuttle off & FOLLOW OBVIOUS ORDERS. What is the world shattering information they wish to share with their head-lamped rabbit ‘followers’ ?

It is just another obvious constructed event used for MSM distraction & NuGuru traction. They fall into its trap while pretending they are above it. What tiresome commentary it is. (as some will claim I am doing with this, if they are wishing for a battle with me!😄 )

Off they potter, to write & yatter about fag-hag aristocratic performer- Ann (Arnie) Widdicombe, & her penny dreadful departure from the stage ! Just look at their output the past few days- Francis & Leo-pole, Miripole and Delingpork, all instantly become obsessive VULTURES over the flabby old fascist. Who can pick her poisonous bones clean the quickest?

Maybe she was one of their handlers or monkey trainers? Such questions HAVE to be asked just to cover all the bases if nothing else! 🙄🥱

Leo showed everyone that he is a very naive man during his interview with Lloyd Cole impersonator Francis. Leo is unable to imagine Arnold Swartzynogger enjoying himself in luxurious women’s clothing, while chomping on his favourite Cuban Partagás Serie D No. 4, cigar,

…. I think he is over compensating. Really he loves necking some jiggy rabbit-hole pills, cracking some poppers to loosen himself up…. & then ‘getting his freak on’ at the nearest kinky disco…

Maybe that is where he first encountered

Noreen Ann Widdicombe. She is best known for her work with the- possibly most rubbish excuse for a newspaper to ever manifest in the UK- the Daily Express, yet she also coincidently served as Minister of State for Employment and for Prisons, and later as Shadow Health and Shadow Home Secretary. She is then the ANIMA HEALTH specialist?

Widdicombe (meaning “wooded valley’’) when read as- ‘‘Widen the comb’’, is a very vulgar expression when translated into other languages.

Anima Ann was such a disgusting toad for oppression, She loved to be called The Rt Hon Ann Widdecombe, as her boring Sub-stocking Profile shows.

Is a ‘Shadow Home’ akin to a ‘haunted house’ such as Tania has to be guardian of ? Allegorically this is very symbolically coherent.🙄🤔😃😄

During this time miniscule & mundane MIRI AF accuses me of being ‘clearly a state asset’ with absolutely no justification, or logic used in her claim. What ‘state’ is she meaning, the idea is incredible to ponder..is she telling us that she considers herself AN ENEMY OF THE STATE ?😅😄

She is such a wet & wimpy spoilt brat (see how polite I am, considering!) that she has never once dared to interact with myself, or any of my friends. Her ‘team’ are so pathetic none of them have the guts or aptitude to discuss anything at all with us. Her, & her hounds all hide behind ‘only paid subs can comment ’ enclosures. This is a very common tell. Why hide from interaction if your ambition is to help. It is a cowardly yet mercenary strategy.

It is all very amusing for us to witness, especially when she accuses me of also being a pornographer !… Yet she is the one calling herself Mrs Miri Ass Fuck…🙄😂… maybe her goofy lisp made her dribble the wrong words, & she really meant to say I was a PAWNOGRAPHER instead?

— The Aftermath —

What remains?

• No truth.

• No clarity.

• No unity.

• No answers.

• factions.

• suspicion.

• the faint smell of burnt ego.

The entire fiasco becomes a case study in how a small online ecosystem can implode under the weight of its own self importance.

How morally compromised souls can so passionately project their insecurities onto everyone else, even while all of them appear to just be going through the same old motions… churning stale milk into cheese & building a tower of Babel from it .

That impermanent effigy will eventually crush their readership with tedious & contrary assertions, none of which approach the heart of the matter, or ever really scrutinise the machinery they themselves are servicing & building upon.

If a hellish Limbo could manifest to imprison them, then what they have done to themselves would be sufficient enough, sadly their residue is likely poisoning anyone who comes into contact with them.

They have easily become worse than the ‘targets’ they are reliant upon, They offer no-alternative, nor are they here to aid anyone but their own careers & their ‘cell mates’. Watch them scrabble to pose as the KING RAT- but hilariously they are all shrews & mice… grubby rodents- eating the furry cheese they & the MSM cant stop generating.

How much longer will their audience be capable of enduring the stink of it all? Or will they also rapidly become in some ways curdled & moldy in the process themselves?

The following images are enjoyable to see as a slide show, such as if you click the image it will appear in full screen allowing simple screen clicks to progress the images to the next one in sequence- missing the text.

WHY THIS IS SO… & SO PREDICTABLE

The meltdown is essentially a performative struggle for trust, legitimacy, and narrative control, rather than a substantive disagreement about evidence or truth.

There are no doubt many ‘agents’ all over the internet- but most of them do not need to be employed as such- they will naturally perform like them given the slightest encouragement. The same is true of the TROLL epidemic all over the internet. Even when manufactured, many poor souls still prefer to become part of the machinery & increase their own alienation.

I have been exploring this phenomena for over a year here. Many of my confrontations I will continue experimenting with, rather than just blocking them, to see the parameters they have & how scripted & limited they all are.

It is peculiar to see them get aggrieved about being insulted back, as they try & steal a few hours of the lives from anyone bored enough to endure them. It is always best to make something out of it afterwards, it is compost after all. Amazingly many will claim it is not useful in the slightest, it is just ‘‘Toxic Negativity’’. Such commentators are typically hypocritically pompous, & boringly ‘negative’ - with forced over-positivity.

De-lingpole & The Miri-poole are both ‘establishment ‘ brats. Abby Bloberts is from a SPY family (she claims), All the other players are from notable Peerage family lines, most work in the media, or church & state educational franchises.

All of them have strong moral-religious cages they work within.

NONE OF THEM ARE TRUSTWORTHY… at all… in the slightest way.

They all clearly despise the general public-who they call- ‘normies’ & ‘sheeple’, despite the fact they considered themselves as such until recently. If they can not articulate their differences in a more considerate way then why would we imagine they have considered anything else in an adequate manner?

No capable intelligence agencies would typically EMPLOY any of them … they are all clownishly inept & liabilities …

…imagine the shame of employing them for anything. Only a crew of perversely fanatical, society-hating saboteurs would consider them an option; maybe a type of ‘church’, or unhinged think-tank in a state of data addiction… what a cluster of PAWNS wanting to be QUEENS they all are.

In years to come, the shame of their deployment would ruin entire families reputations, as Abi Roberts is busy trying to do.

I would bet that none of them are bona fide “agents.” (this does not mean they don’t imagine they are,… or have links to genuine ‘agents’.)

All of them are performing the agent role tho, so in effect may as well be agents !

They behave like agents because the ecosystem rewards agent‑like behaviour.

This is a fascinating phenomenology inevitable with the NuGuru environment (ie conspiracy matters & their shepherding’s)

Next we share a couple of sections that are basic bullet point summary issues for convenience, before wrapping this up for now. This has gone on long enough!🙄😅

I should mention that there has been whisperings (& screaming) among NuGurus not to engage with any of my works, In effect this proves their own hypocrisy of free speech & consideration of others views. Any little niggle against how I react, write or deal with psychopathic trolls is justification to evade these ideas. Ironically this will inevitably induce terrible Karma upon themselves for a short term snub.

Time will tell, because without time nothing is possible at all !

((( at this point I was going to jokingly type ‘so, hail satan ! ‘ or maybe ‘Hail Santa!’ , however that would be too crass for me to joke about, even after dealing with these mundane monsters so thoroughly )))

…They are like Protozoa on a slide…

The dissident ecosystem under study is characterised by:

• high emotional investment

• low institutional grounding - but intimate institutional consolidations

• symbolic overreach

• a chronic inability to tolerate ambiguity

These conditions create fertile ground for NuGuru formation — ‘charismatic’ (🙄😂 ) micro‑influencers who perform the role of “lone truth‑teller” within a self‑selected audience.

This 2026 meltdown provides a rare opportunity to observe two NuGuru factions colliding simultaneously, revealing the underlying mechanics of collapse.

Of course it is inevitable some characters were also attempting to orchestre & collude in this spectacle, & we hope this candid overview may supply avenues of consideration; yet that doesn’t mean all the characters involved are aware of their role. We can never be sure what is occurring in others minds, but we have the dubious liberty to speculate- if we wish.

The Two Factions:

> Symmetrical Opposites<

House Moran‑Jake-Ed

This faction performs pragmatic dissidence, grounded in:

-anecdotal evidence

-personal networks

-emotional authenticity

-and a performative disdain for paranoia

Their rhetorical posture is:

“We are the reasonable dissidents. Trust us.”

House Miri‑Finch‑Francis

This faction performs metaphysical dissidence, grounded in:

-anomaly‑hunting

-mythic framing (this does not mean mythologically rich !)

-moral absolutism

-and a belief in hidden architectures , yet not the compromised public ones they all work within!

Their rhetorical posture is:

“We are the only ones who see the truth. Trust us.”

Despite stylistic differences, both factions rely on the same trust‑seeking identity performance.

Identity Maintenance

as the Primary Driver

NuGurus maintain authority through identity coherence.

….evidence is not a priority.

They need-

-a stable narrative of persecution

-a stable narrative of insight

-a stable narrative of moral superiority

-and a stable narrative of being “the one who sees”

When two such identities collide, the system destabilises.

The meltdown is therefore best understood as a competition between incompatible identity performances, not a disagreement about facts.

Dollhouse Cognition:

Closed Symbolic Worlds

Each faction operates within a dollhouse world — a miniature symbolic universe where:

-every event is a sign - this is a fact, yet they are not intuitive enough or symbolically equipped to comprehend what they witness.

-every disagreement is infiltration

-every anomaly is evidence

-every critic is compromised

Examples include:

• Miri’s historical inflation (Guy Fawkes Twitter dispute)

• Finch’s metaphysical essentialism

• Francis’s numerological anomaly‑stacking

• Ed’s anecdotal absolutism

• Evelyn’s agent‑tier cosmology

• Petra’s lunar derailment epistemology

The Spectre Mechanism:

Controlled Opposition as Social Glue

The accusation of “controlled opposition” functions as a spectral placeholder — a floating signifier that can be attached to any rival identity.

This mechanism:

-maintains group cohesion

-reinforces leader authority

-explains away contradictions

-and prevents external accountability

When two factions deploy the spectre simultaneously, the result is mutual delegitimisation and eventual collapse.

…The Trust Paradox…

The central paradox of the meltdown is that both factions demand trust while performing identities that structurally undermine trust.

Trust becomes:

-a loyalty test

-a moral signal

-a badge of belonging

-a substitute for evidence

» The Collapse Sequence «

The meltdown followed a predictable pattern:

1. Identity assertion

2. Boundary formation

3. Purity escalation

4. Spectre deployment

5. Narrative inflation

6. Mutual delegitimisation

7. Factional fragmentation

8. Mass blocking

9. Narrative reconstruction

10. Cycle reset

This sequence is consistent with prior NuGuru collapses and is likely to recur.

=== Scavengers in the Ruins ===

The meltdown did not occur because :-

one side was right

one side was wrong

one side was infiltrated

one side was pure

NuGurus must:

• be trusted

• be followed

• be believed

• be persecuted

• be singular ( even tho they appear as clones in thought )

This makes coexistence impossible.

→ Conclusion ←

This Great NuGuru Meltdown demonstrates that dissident microcultures are vulnerable to internal identity inflation, not simply external infiltration , which is typically unnecessary. They are their own worst enemies.

When every participant must be: the lone truth‑teller, the persecuted visionary, & the ONLY one who “sees the architecture” then the system collapses under the weight of its own performances. Compare these factors in the work of ANY NuGuru & you will find the fit is water tight!

The meltdown was not an accident, or tragedy as some may imagine-

It was a predictable outcome of the NuGuru identity economy… this is coupled with the fact that they are all posing desperately to maintain their presence, & their multiplying body of ’opinion-piece posts… that rarely warrant repeated readings.

« ENDGAMES »

The factors considered in this work explain why we now have almost endless internet NuGurus & their minions now making conspiracy investigation an injustice crusade of ceaseless inquisitions.

They appear even more repulsive to decent thinkers than their predecessors because they are saying nothing that hasn’t already become a cliche. It is likely that they are the systems most subsumed victims, not awoken to anything but a melodramatic sense of self importance. Forever trapped with infinite injustice because they can never face the systemic nature of the system they are within, & amplifying.

There has always been an endless catwalk of monstrosities paraded in the news, targets already pinned upon them; devised to to abused, reviled & caricatured. To satisfy their own masochism they play being petty sadists to evoke more abuse in return. Look at how quickly they revile the clownish media antagonists. yet become outraged when criticized themselves as if it IS NOT ALLOWED.

Increasingly the NuGuru Influencers, & their acolytes, obviously loathe the world around them & everyone with in it. They are the SPECIAL ONES, chosen by god or its administrators. ‘Normality’ is not good enough for them, tho ‘normality’ is never defined. Nothing meets their PURITY expectations, so they can blame everyone who is unlike themselves for perpetrating a world they hate… & then they can ‘justifiably’ hate them even more- in an self fueling petty sado-masochist ecstasy.

They have become the NICENESS NAZIS !

The greater horror is how they want everyone else to be subservient to that vision & disposition also.

← THE ALGEBRA OF EXPLOITATION →

‘Conspiracy’ framing is not needed to decipher many obsessions regarding the field of conspiracy research, or any resultant theories. Often Systems Theory & basic SOCIOLOGY will suffice.

We find this so for the following factors relevant to this overview.

It is impossible to honestly deny that certain groups dominate certain fields & vocations because of several factors, most notably with-

Geography: the location & access to the environments resources involving all its social requirements & many facilitators. That includes MEDIATORS involvement between areas & cultures as ‘Boundary Guardians’, Gatekeepers, or ‘agents of agencies’.

Historical accidents, including natural or contrived disasters that present opportunities… Major events that can change the playing field, including the necessities for survival and social conformity.

Diasporas: the movement of ‘refugees’, also concerned with immigration policy & incentives.

Networks- from family, tribe, guild & mutual benefit organisations.

Education patterns, that quantifies & partitions everyone’s intelligence & aptitude. Instigating & regulating fashions of thinking & means of informing. A perfect enclosure to note, survey & provoke latent dissent; channeling it, while also finding out what parents think - via their children’s admissions.

Economic incentives: What has value & what does not. What profit or risk is involved? How arbitrary or tangible ‘wealth’ can appear. Does everyone have a PRICE ?

Colonial legacies: Real Estate & Trade contracts; avenues for transport; commerce & mining. Resources of manpower, machinery & media.

Cultural specialisations: Comparative analysts, Collectors & Collators; he kin of MEDIATORS & the MERCANTILE WORLD. Manufacturing & construction. Historians & Astrologers/Astronomers. Think-tank forerunners.

Miris’ Family is involved in almost all those fields & factors.

This is not a pyramid of power as fashionably promoted, it is a CONSTELATION OF CONTROL.

Yes, hierarchies certainly do exist socially, yet within each component.

The components within the constellations may delegate or bicker over dominance in certain instances, but their survival is dependant on mutual & CONVERGEANT interests.. as much as family intermarrying engenders, & co-dependant investment portfolio influence.

Power is self preserving, and it uses whatever faces are available.

No component has total control, and none is ever controlled by a single lineage or ethnicity, although that is promoted by some, or furiously denied by others. This can also be seen as a factor in certain fields, such as Film Making in America – the foundations consisting almost entirely of ‘Jewish’ companies, who’s (male) owners almost all had elusive; missing fathers. Psychologically that is very fascinating to consider.

When scrutinised deeply we find that even banking —a favourite target of simplistic narratives & contrived system manipulations- is a battlefield of state regulators who are definitely not all one ethnicity or religious persuasion.

They interact among the webwork of private banks, central banks; sovereign wealth funds; hedge funds; tech giants; political factions; international treaties; the ubiquitous - competing intelligence agencies of Church ,state & corporate divisions… and internal rivalries with Siblings, Cousins, Lovers, best-worst friends…. & all the rest... is this partly what is occurring within the NuGuru bickering’s about Bob Moran?

The head of power is more accuratly a hydra, & it has to keep animate otherwise its limbs would ossify & shatter.

It requires multiple families & nations to facilitate, as it is reliant on TRADE & Communication infrastructures;

because of its ubiquitous dominance in civic & social factors anyone interacting becomes fodder for its machinery.

Much of the machinery is devised to occlude a lack of physical substance, conquering specters of threat & penalisation…

while the SPECTACLE of that illusion can become increasingly concrete & engrained in peoples imaginations.

I feel that I should emphasis the fact that Power behaves like a zodiac (recurring archetypes), containing constellations (clusters, not hierarchies), oscillating as a tide system (with ebb, flow & counter currents), while being exploited like a marketplace (competition, alliances,& betrayals). This is almost nothing to do with pyramids, & far more like a complex of sluice gates running on tidal clockwork…. a perpetual motion nightmare for many, an arena of exploitation for others.

Due to the knowledge that stagnant powers collapse, systems have to manufacture the following:-

• dissent (as discussed in depth for the Bob Moran overview)

• controlled opposition (a ‘corporate espionage’ necessity)

• factional turnover (is the turnover within a specific department, role group, or time period — rather than the whole organisation, such as the UK PRIME MINISTERs musical chairs we see occurring involving 5 in 10 years )

• ritualised conflict - (such as this ‘event’ we are probing)

Most of the above evoke & promote more censorship, limitations, cliques, & strategies of oppression, rather than liberation & autonomy.

This “system of processes” is facilitated by the powerful, but not orchestrated or even devised by them- as many are led to imagine. The architecture is far older than anyone can honestly remember. It can be argued to be extant before written language & is concurrent with CITIES.

The work–mortgage treadmill, the bureaucratic mazes, & the economic pressures could not be designed & facilitated by a single group, it takes endless organisational interactions to implement. It has become self devising through processes not simply personalities. This is also the natural outcome of industrial capitalism, state bureaucracy, and financialisation/ profit maximisation... in simple terms it is The ALGEBRA of EXPLOITATION.

As hinted at, is not a modern intervention, nor even simply seeded by Industrialisation; its roots are already well established during the Sumerian epoch, where BUREAUCRACY & ADMINISTRATION were of a refined standard 6,000 years ago (approx with conventional chronology) .

What most conspiracy commentators fail to consider in fullness is that the INSTITUTIONS out last the individuals & families- their facilitators are interchangeable. It doesn’t require PSYCHOPATHS (anyone promoting that idea is probably a psychopath themselves) as no psychopaths have, or would be allowed genuine policy influence & tangible power- they are just allowed some space on the stage to dance among the machinery. The more theatrical their disposition the better.

The system requires multiple factions & interactions as a dynamo, & to also facilitate & construct endless distractions.

Confrontational ones are preferable, as any system COLLAPSE, in real terms leads to greater systematic reliance & substitutions & re-application !

Yes, the horror is that all the ‘ I hope it collapses as soon as possible’ pundits, are sadly in effect working for greater systemic imposition…. it can not be stopped, it is the MACHINE WE ARE WITHIN, however much we like or hate it being such an influence.

It is the architecture of human institutions.

Of course it will benefit:

• entrenched institutions, CRAFT GUILDS & specialists initially.

• established wealth

• political ‘elites’ (sic)- including their minion diplomats, lobbyists & trade mediators.

• corporate structures, the espionage empires now ingrained in ‘Nation States’.

It is not simply because they are conspiring (they do not actually need to, yet still they will as it is human nature !) , but because systems tend to reinforce the position of those already inside them.

It is structural. It may seem to disappear, yet keeps returning as a hidden secret in plain sight for many who it embraces, & those who are the greatest parasites of its bounty.

Power is provably & preferably functional, Yet we do find certain recurrences of disposition, vocation & ‘culture’ among what have rapidly become media cliches.

The power dynamics among NuGuru is a mirror of those they claim to oppose, yet they never follow that fact to its conclusion… their goal is to replace the oppressors with their even more restrictive oppressive moralities.

For example today we will ponder how some of the self imagined ‘conspiracy movements’ movers & shakers have become so stereotypical it is eye-watering to comprehend.

Do you wish to read a recap of the entire event? I suggest you go to the original malcontent mangler Francis O’Neilers workouts, an expanding series of vague allegations from his crooked angle (even tho he is basically correct about much that is obvious to most thinking folk, folk who are not fully seduced by the SPECTACLE) , & the defensive stance of JAKE FERN, especially the hilarious comments section, that features MIRIs husband Mark on their little podium.

I will give brief abstract of it now, exposing what is really going on with their ludicrous PERFORMANCE & IDENTITY MAINTANENCE MANIA, including that of overt shill-hillocks EverLyin’ Brunswick, Ozzie Mole-woman Petra, ‘sneaky-smug goblin -Doctored Malik, & Maggot lover Mark Finch , among others.

I will also include interludes about some handy Heritage Nuances.

…Here goes…

Prologue: A Spark in the Dollhouse

It began, as many great collapses do, with a man called Ed, who is also a town crier, community gossip, & choir master- it appears.

Ed Chanter- his name reveals that an early member of his family worked as a choirmaster, or precentor in a medieval church. Further research revealed that the name is derived from the Anglo French chantour, or chanteor in the Old French, a word for a singer, chorister, or precentor.

Ed is shorthand for ‘editor’ & ‘Edward’, & HEAD.

His mind is the ward that unleashed a demon for the NuGurus to battle …it is a pity to note that none of them had a competent editor to reign in their out-pourings. This resulted in a social-cultural headache.

The explosion of antagonism began between Ed’s chum- a cartoonist called Bob, and an opinion piece writer called Francis who decided to “just ask questions” in the tone of a man who already knows the answers and is waiting for applause. Francis inferred Bob was controlled opposition because he was Eds media pal, & Ed was simply not the sort of person Francis liked or trusted..,because of ‘reasons’.

Fran did this with his chump, LEO ‘Monkey tits’ Biddle; & then later, with moody msn turncoat JMCDelingpole. Almost no-one but family of Leo & Francis saw the former chat.The later waffle pit had a handful of irate media maggots ready to burst over it, some of them going truly ape-shit in the process.

BIDDLE as a name designation could have been "derived from an official title, 'the beadle,' one who executed processes or attended proclamations." 1 Many notable members of that posh lineage are in military fields (the Navy overtly), politics, & law; they are pre-disposed to sneaky vocations, & being bossy.

Within minutes of the Delingpong performance, an entire British alt media cul-de sac of (league Division 4) conspiracy plants & poseurs had some collective anal embolism... then soon after , the Australian Argotic annex detonated like a badly wired toaster trying to boil an egg.

Nothing they wrote was very profound, but it was all very amusing to see how vex they get over their own ‘protective veneers’! Of course they all consider THEMSELVES beyond doubt to be authentic, genuine & ‘independently minded’ …despite constant reassurances ‘that they all think alike’ in their comments sections !

Genesis : It Begins !!!

Factions Assemble, Fractures Appear.

The UK Column – The Older Guard

Debbie EVEns & Sandie ADAMs, (note ADAM & EVE symbolism there!) get vexed with working for the UKColumbia news agency , due to lack of jokes among staff, having to pray to god before drinking cups of tea, & questions about why the UK Column softened in its criticisms of China (an area so large I wonder how it can all be considered one body, while Hong Kong, Shanghai & other ‘port nations’ do not represent the mainland at all, yet are still CHINA !)

The notable EVANS have traced their ancestry to a knight of King Authur's Round Table. The motto is Latin for “Liberty”, which is akin to PETRAs family moto, & MIRI’s family of SLOVBODA.

The surname Gerrish was first found in Oxfordshire where they held a family seat as Lords of the Manor. How uncanny is that, when we later find their ARCH ENEMY for performance is the BBC MsiDisInfo Tsar:-Mariannus SPRING, who’s family (on her mothers side of Dalton) owned parts of Manchester.

Above we see 3 stags; or specifically three bucks (male deer), that are also commonly found on variations of some of the other crests shown here, as well as notably the RING DESIGN for Richard D Hall, that he loves to twirl & flash at the cameras when he does his chit chatting. They are partitioned with the CHEVRON again. The forename “Robin” is a diminutive form of Robert, which originates from the Old Germanic name Hrodebert, meaning “bright fame”, now it is primarily considered yet another bloomin’ IRISH NAMESAKE.

So, from that kafuffle Debbie Evans & Sandi Adams leave, saying UK Column is now limp & politically floppy.

Francis sides with them because they are both lovely mature Jewish ladies with a big cupboard of cosy medication (?).He is also envious of UKCs new substitute ball boy:- JERM the squawky, irksome, shallow Boar from South Africa.

Jerms real name is Jeremy NELL, the NELLS being Austrian (& connected to the ELDER TREE)

• ‘‘In their later history the name became a power unto themselves and were elevated to the ranks of nobility as they grew into this most influential family.’’

They become nobility of the Rhineland & regular British Gentry & Peerage features.

3 little Birds & a CHEVRON make their symbolic shield. The tiny birds are martlets , a stylised heraldic bird traditionally drawn without feet, used in English coats of arms to signify- younger sons, wandering /questing ; & service without expectation of land inheritance

But this version is even more revealing- The Coat of Arms of the rhenish branch of Nell. Notice the back hand gesture of Trident bearing Sea Deity,,,

No one seems to like Jerm, who does cartoons like Bobs. He has his own pod-people casting device (or broadcasting platform)...unlike Francis who is stuck with Substock & lame pals like Miri , and Leo ‘Ape Bits’ Biddle. Francis does art work but is is ‘seaside resort table-matt fodder’, nothing ever creative or requiring imagination.

Next we discover that the UKC feels betrayed & deflated. Not only Iaini Davis (a provably psychotic liar) turned on them over Richard D Halls ‘compliant court fiasco’ performance- that ushered in EVES ‘LAW’; but now Debbie Evans has run off with Mikes personal laptop… & the key to the soggy biscuit cupboard.

Ex forces lump, the new UKC director Timmy Mallet (who appears to have been raised with a Granny Starmer diet of Paper Mache) has been trying to hammer his way into the closet with his rubber tool for months now.

Note, same colours as many of these families, & UKRAINE colours also. Very important is the 3 Scallop Shells that is PILGRIMS SOCIETY marker, the most prominent influence in the PRINTING INDUSTRY, SHELL OIL (Royal Family Company) & an Alchemical signifier.

The name Mallet comes from the given name Malle, which is an Old English diminutive of Mary. The name Mary was originally, a Hebrew personal name meaning wished for child.

“All the families of this name in England trace their descent from the renowned William Lord Mallet de Graville, one of the ‘great‘ barons who accompanied William the Conqueror.”

This pedigree goes into a Viking prince and companion of Rollo, the first Duke of Normandy, about 950 AD

William, Lord Malet of Greville was one of the greatest landowners in England, having 221 manors in Suffolk alone. He was ancestor of the Mallets of Somerset, Devon, and Cornwall, and those now resident in Jersey.

Next, the NuGuru Influencer bloc sees opportunity for some excitement , that can enliven their sterile existences...

Tensions simmer beneath the surface, like an ill wind from too much cabbage & cheese.

The Schoolyard Sneak Club

Among the stink is Doctored ‘Babyface’ Malik, eager for fame & its resultant self-obsessed existence. He is sick of chatting to people he considers mere stepping stones along his path, why isn’t everyone interviewing HIM ?! It doesn’t matter tho- because in every interview he loves to digress into his own miserable existence, trying to upstage his guests misfortunes with his own. If they have lost both legs, he has lost 3 !

Malik means - ‘owner or possessor , & مَلِك (Malik)= KING ,among Muslims and Jews. So nothing iffy about that then, it is a very common name of course.

again the UK.REIGN/UKRAINE colours we see with SLOBODA (Miri) & her chums.

This also has Fleur-de-lis that all conspiracy aware folk will be familiar with by now… it is no surprise when seen connected to the French (Finch- as JMCDelingpoke did with Miri in their second interview) & Francis Frances names.

As this event was erupting Doc Mal-ikky contacted me with an email about the MIRI overview ‘The Researcher’ & myself did, &he appeared very excited & impressed- asking then for an interview.

In his message he mentioned that the very horrible in all ways: FRANCIS LEADER (re LE LOSER), had warned him I am horrible & should be ignored. However, nowhere did I see him challenge her on that, or even support posts or respond to comments…. in fact the opposite… but we will consider him another day in more fullness. & yes I certainly am very horrible… to horrible people, & that is nothing to be ashamed of… in fact it is a very useful skill 🙄🤔🤨😅

For now, what is intriguing is how Ahmad wormed himself into events, claiming the Delinggoop & O’Neil interview was ‘misrepresenting him as a hypocrite- trying to kill his fan-club with vaccines’ . He was not at all bothered about the other aspersions & tactics on display, nor how they were preparing to destroy Bob Morans career, relationships, or social standing… just Ahmads own unmentioned name ! Maybe he was most upset because he wasn’t mentioned more than any misrepresentation- as he is only performing anyways.

He subsequently did a few pouty videos in the wilderness - crying about it all, milking sympathy like a vampire in a dairy. This turned into a daily dairy diary of attention seeking injustices as the days stretched on. In desperation he had to resort to using images of his alleged children gurning on his shoulders for extra sympathy, which was ironic as he is such a stubby little gargoyle.

Recently he proved beyond doubt that he is a slimy hypocrite, while also trying to kill his audience, not with vaccines, but by drowning them with ennui from his endless misery missives- sometimes several a day. Indeed, HE IS THE MISERY VIRUS ! 🙄😂 … Thankfully he has no sense of humour outside of his own mythology, so is easily mitigated.

He mentions Frances O’Neil apologising via email- with no proof.

O’Neil remained publicly silent, practicing looking like Lloyd Cole, while all around him were in commotions.

James Mark Court Delingpole, is the director & owns 75% of the shares in WOLF FISH ‘enterprises’ The other director is his older wife, who keeps her previous name Tiffany Clare Constantia Daneff. She never mentions him in her profile, or in her work for the Telegraph newspaper, & Country Life Magazine as their Gardening editor- with a penchant for sheep. James relates with spirit guide of a fishy wolf for his business ventures, while his wife has her domain portrayed as a sheep farm, so there is no worthwhile symbolic irony involved at all in their lives…🙄😏😄

‘‘The Daneff surname may be a shortened and altered form of some Jewish (Eastern Ashkenazic) surnames, particularly those related to the name Danowski’’.

Dan & Dane & Danu often get taken as correspondent.

James Mark Court Delingpog is minor boundary aristocrat ( possibly from stable hands… despite his own unstable grappling's) with disguised lineages on both sides of his spawning ground.

This crest is the closest OVERT relationship to Heritage families as DELAPOOLE. 4 white rosettes possibly ESOTERICALLY related to the ‘anal flower’ Salvador Dali mentions in his biography involving his ‘initiation’ with the poet LORCA...🙄🤔🤨😉 But to claim that as definitive is too simple to be adequately honest about the white roses symbolic nuances…

…The name POOLE had much aristocratic weight.

All the above may need revision, but is fair & feasible as a starting point for deeper probings.

It may be obvious that here I am restraining myself greatly, holding back on chatting more fulsome Heraldry & symbolic lore, as it is not a quick & easy thing to outline in only a few paragraphs. To pretend it can be done easily would be dishonest, so here we are being sketchy, but I hope with basic nuances of worth.

The Spar king

The Francis Purity Spiral

The O'Neil's were kings of Northern Ireland & their moto is interesting -Tha m’ fhuil agus m’ fheoil air tir romhad” (”My flesh and my blood are ashore ahead of you “), which is derived from two O’Neil brothers having a race to an island . The one who was lagging cut his own hand off & threw it onto the Island to claim his prize. Hence the RED HAND is in essence a sign of a MUTILATION CULT from among Seafolk/Pirates. Is it any wonder they become eager Catholics in time, wearing fish-head Mitres & collecting foreskins of circumcised saints.

• Francis appears on Delingpoke- like a pair of crash test dummies well past their warranty they collide & embrace for a couple of hours.

• Francissy raises questions about Moran. Like almost all artists Bob requires patrons & commissions, he is seemingly not working in the ‘school system’ like Francis is comforted by. Envy is blatant.

• O’Neily can not imagine why Bob likes Ed , & writes so lovingly about him. Because O’Neil is publicly convinced of his own nobility, Bob must therefore be very suspect… & no one should ever trust him again. Why anyone should trust anyone on the media stage is never really addressed- yet it is the key to the entire blockage.
  

• O’Neil also mentions being ‘unsure’ of Flabby Abby Robbers (the daughter of an admitted SPY), she is a comedian without jokes. Francis is also unsure about her unreal arrest that he witnessed. This is very slow going of him, as it was fake beyond doubt. If this is the measure of his insight then maybe he shouldn’t even bother beginning to witter on about such topics.

• Delingpoop pretends surprise, yet fans the flames with some soap opera denials , some inflammable gusts of warm air, & his now standard sublimated arousal.

• While O’Neil mentions this possible cuckoo in the nest scenario with some elaborate wringing of hands , & many sideways glances; we can clearly see his sneaky-smug-eyes GLOATING over how clever & devious he is being... (I cant find the exact moment, & do not wish to watch the entire thing again, if you note it please send me a time stamp & I will add video of his smuggery!)

• The ‘influencer bloc’ panics & goes into a frenzy of childlike assumptions & accusations, all missing the really important factors, wasting their readerships time & energy, as always.

• The purity bloc sees proof of corruption, while ignoring their own lineage & dispositions.

• The UKC bloc sees an attack on their already crusty prestige. None of them trust each other because at heart none of them are fully trustworthy... but what & who is?

UKC cultural wing Jake Fern, (another portrait artist Francis is not as good as in painting craft) emerges from the shadows like a Renaissance cherub with a grudge, shouting:

“YOU’RE ALL DELUSIONAL!”

Jake’s job is to defend UKC’s honour, Bob’s honour, and his own honour, in that order, using a mixture of swearing, the now standard spiritual superiority assertions, and AI- generated rebuttals. He appears to mean well, but becomes target practice for the anti ‘Ai’ luddites (‘‘if you use ‘Ai’ you prove you’re soules & incompetent’’ they claim , while being barely articulate , & as shallow as a puddle in the process).

There is some ‘’toing & throwing about’‘, & then into the fray we get a concerted…

House of Finch

Note RED HAND of O’Neils in Heraldry Crest

’’Finch was a name given to a person who was referred to as a finch deriving from the small songbird's name. The surname may have also an occupational origin, denoting someone who caught and sold finches. 1’’

What a sad profession that would be…. possibly worthy of some intergenerational curse, or type of haunting? Is it likely that a FINCH is akin to a MOCKINGBIRD… Another spelling of Finch is Vynche - first found in Hertfordshire where they held a family seat at Redheath.

Vynch is very like VINCHY who were fascist French in the WW2. Here is their stylised FASCIE flag. France retained the FASCIE for its passports after WW2, & even the Paris uprisings, & it looks very USA inspired to my eyes. But still, the USA also looks very French inspired also!

The Finch family is believed to be descended from Henry FitzHerbert, Lord Chamberlain to King Henry I (r. 1100–1135). The name change came in the 1350s after marriage to an heiress member of the Finch family.

Miri/Finch Influencer Bloc

Is a faction that is powered by:

• moral absolutism

• Sun Tzu quotes

• the belief that discernment is a martial art (tho devoid of any breathing awareness or stable stance !)

• and the conviction that everyone else is compromised, maybe because everyone they know is compromised in some way. Tenures & work opportunities being the most nepotistically overt glue among them.

Mark Finch arrives wearing the pinstripe, prison-barred robes of a metaphysical accountant, calmly informing Jake that:

“You have not comprehended the essence.”

This is the Finchian way of saying: “I’m right, you’re wrong, and also I’ve read a book... its about Maggots, would you like to sample some? ”

…Enter the Dragons…

or are they just stroppy little Gremlins in a puddle?

O’Neill, patron saint of “I’m just asking questions,” sits in the corner polishing his halo while quietly gloating that everyone is proving his point by screaming.

He is playing the martyr hero, the man who mumbles & whines simultaniously;

“I’m not saying Bob is compromised… I’m just saying the numbers 101 and 33 equal BoB... or 13,013.. & that reduces to ‘8’ .... while MIRI therefore = MI 121..not MI5 or MI6 obviously... ‘‘

‘‘whats incredible is how if Moran wrote his name as ‘bob’ it would equal ‘606 ‘ which is only 6 less than 666. Then if he added another letter ‘o’ it would be ‘boob’, which is ‘6006’. Spin that upside down & you get ‘POOP’, add the two together & it equals ‘boob poop’, I think that tells us what a truly disgusting & devious person he could maybe, possibly, somehow, in some way, almost certainly be.

He is trying hard to be calm. He is polite. He is absolutely loving the chaos he has inflamed deliberately.

Delingpool also loves the drama & pretends outrage while he builds some fortified blockages. He will have to act moody towards Francis. but that will just fuel their later ‘making up’ to be even more passionate & involved.

Lurking in their rusty ruts are The Chaos Maggots: Evelyn & Petra

The Australian frogspawn-eyed annex arrives like a pair of decrepit psychic weather systems.

Above is the recent (post 1800s) Coat of Arms of the Duchy of Brunswick- the symbolism it contains warrants an entire essay- that we do not have time to explore today. Note the distinctive cross at the bottom, varied coloured lions, twin CLUB bearing TWIN GIANT BROTHERS, frisky buck, & the delightfully flourished diverse helmets.

Positions of power could be easily gauged by headwear in the past.

Some will note that it is very similar to the Danish Royal Coat of Arms. That also has TWIN BROTHER Giants.

Most people appear unaware that the famous Great British Empire is based on DUTCH SYSTEMS OF INFRASTRUCTURE & FINANCING

. But more so, it integrated them & their families of immense sea powers. Britain should be really considered the Dutch/British Empire & it is still flourishing. However, that is a topic for another day, but notice that the Dutch are rarely shown as oppressive colonialists, except in Asian cinema!

Below is a well known example of the DISTINCTIVE BRUNSWICK STAR

Note the shoulder armour of ‘no-neck’ OTTO the 5th of Brunswick above.

Brunswick originated from the Italian House of Este. The famous houses of Welf (Guelph) then Hanover were controllers of the Brunswick influence, while the SAME BRUNSWICK STAR guides the following facilitators-

• Order of Saint Patrick,

• Coldstream Guards

• Estonian Rescue Board and Häirekeskus

• Federal Police of Germany and various State Police Forces

• Guyana Defence Force

• Irish Guards

• Jamaica Defence Force

• Lithuanian Police Force

• National Police of Ukraine and the Ministry of Internal Affairs of Ukraine

• National Police Corps of Spain

• Netherlands Marine Corps

• Polish Police

• Royal Dragoon Guards

• The Royal Regiment of Canada

• University of London Officer Training Corps

• The London Guards

• Scots Guards

• South African Police Service (formerly South African Police)

• South Australian Country Fire Service

• Zimbabwe Republic Police

• Kolkata Police Force

  We can see why it may be very amusing for an overt gatekeeper to adopt such a name, & evoke such a ‘bright & strong‘ guiding light in their works.

The sign of the Cabal (white horse) seen in the Coat of arms of HANOVER is also at the HEART of the Maltese cross seen in the Brunswick coat of arms above, it is tiny so you may have to magnify the image.

Evelyn ‘Bumsick’ Brunswick

A woman who speaks exclusively in:

1. triple bluffs

2. esoteric riddles without any arcane substance

3. agent spotting like nappy rash

4. and moral superiority without any semblance of justification or disposition.

She claims to admire the elegance of infiltration, which is the online equivalent of saying:

“I’m not a spy, but if I were, I’d be fabulous.”

Like James Dealingpoke, she does the old routine of the very smug-

‘ I may be an agent- but all my friends & family know I’m not..really.. no yeah no…. really, honest… wink wink..(nervous laugh).’‘

EverLyin’s work is hilariously bad: trapped in a puerile adolescent fantasy of ego mania multiplications. She claims to be a time travelling, multiple personality SPY from another dimension. I am not joking…. tho laughing still.

Her writing is typical uppity middle class posturing, with no actual ear for literature, or dialogue (it is now easily proven that no Nuguru is capable of writing a nuanced exchange involving dialogue- it is like tennis with no balls or movements) .

It becomes very notable that most of the persons involved in this ruckass exemplify the tiresome ‘elevated beyond their actual talent’ private school education system.

Sycophantism is in their bones among kith & kin, contempt in their hearts for the general public.

Her entire persona is mostly just compressed ‘how to- for dummies’ summaries derived from a lumpen version of Chat bot, & endless youtube videos. To call her a typing prolapse is not an exaggeration. She appears to spend 25 hours a day on Substock writing po-faced sewage- within self respective self obsessed mythologizing.

It is not unjust to call NuGurus sewage technicians either, they are re-manoeuvring toxins, & filtering psychic weapons from them.

Petra Liverani- The Psy-plop defective.

‘‘Sniffing up the magic propaganda dust & farting it back out ... layer by layer’’

Another Italian family name that also appears as ‘Oliver’ (ie OLIVE) & its variations. They are of the fascism movements when they get the chance, the Liverani work for oppression throughout historical accounts.

There there is the notable Fleur de lys design that still overtly represents France and its royal dynasty ,while also marshalling on the arms of other countries and jurisdictions, including Spain, Quebec and Canada.

An early notable ancestor of the Liverani was a Cardinal, while the Brunswicks had the notable Otto IV of Brunswick (1175 – May 19, 1218), one of two rival kings of the Holy Roman Empire from 1198, sole king from 1208 , and emperor from 1209 . The only king of the Welf dynasty, he incure the wrath of Pope Innocent III and was excommunicated in 1215.

Petra appears a medically calmed, pedantic derailment machine - who can turn any conversation into a 14 point critique of the moon landings.

Her skill is to simply deny millions of hours of criticism, & many books , all going into great detail over Moon Mission anomalies, along with immense technical leaps of faith & evasion of law of the universe & its material constraints.

Her source of technical expertise is epistemic slave; Dave ‘Dog Face’ McKeegan, a man who has a speech impediment of incessant slurping, looks like a tramps party left-overs, & clearly mange infested, clearly a hero for the times then.

Despite being a claimed professional photographer he is rarely capable of taking a photo with a level horizon (see his work if you think I dramatise unfairly).

Dave was part of the Flat Earth debunking fiasco in Antarctica, or somewhere simulating it. Petra finds nothing suspicious in that, at all… not in the slightest.

Dave is not a professional photographer, but Petra imagines he is unimpeachable, & a genuine image expert… silly old fart. Look at her video quality disasters on you tube to see that shes blind as a bat. Dave’s obviously another smug, conceited & shallow poseur, no wonder she has instant affinity towards him. They may be related or psychic lovers ?! (This is an obvious joke before anyone demands proof of such an envisioning !)

The next image is for Miri ’As Fuck’ as she loves to call herself, in response to her utterly unfounded claim that I am a vile pornographer…

Try & find a recent comment by Petra that doesn’t mention the MOON mission being real (!!!!) . Petra has a definate cognitive hernia. The moon madness she is now obsessed upon, is some peculiar attempt at being ludicrously outrageous, yet its too farcical to be even that… she simply appears quite blind, stubborn & irritating.

Her claim of greatest fame until that was using the fantasy term ‘REVELATION OF THE METHOD’, yet she can not remember who she got it from !

Miri also uses this hilarious term for political bullshitter gullibility games- she does not know either.

I can tell you though, & his collaborator even has a Substack channel here, unfortunately he is a religious literalist, doom disciple. All his (even decently enjoyable reveries &) work is marred by such handicap. … The devil is to blame in all their investigations.

R.O.M. (Revelation of the Method - which should be really ROTM ?) primarily comes from James Shelby Downard, & Michael A. Hoffman II s ; KING KILL 33’ essay, found in Apocalypse Culture, Edited by Adam Parfrey. The later was a book banned in the UK for many years from 1987.

Together, Petra & EverLyin’ (both old Iaini Davis fan club members) form a two woman entropy engine, maybe reasonable at a glance or in moderation, but farcical when seen under one light, or trying to sit on the same chair.

Petra the other day wrote some great humdingers to my partner Dub, & our friend Dee-

’’I don’t accept what BSM has written about Miri constitutes an expose. Miri has written a post explaining what might superficially seem suspicious about her and what she says is perfectly reasonable.’’

(((link for Miri’s ‘year later’ lame reply, evading most pertinent points))

‘‘I’m perfectly aware Miri’s father received an O.B.E. - doesn’t mean a thing to me. What are you referring to when you say “in bed with”? And how aligned is she with her father in any case? She responded 3 months later - so what?

My family was good friends with the family of a son of Junio Valerio Borghese who I recently discovered was a US intelligence contact in Italy for Operation Gladio. That sooooo doesn’t mean anything in relation to me …. blood relation or other connection doesn’t necessarily mean anything.’’

🙄😮😂 WTF ! It really does …..very often… ‘‘keep it in the family’’ as the saying goes. Being a RELATIVE, or CONNECTED certainly are pause for consideration, as the very terms state what researchers are always looking for ! 🙄😂😆

DEE write to Petra- ‘‘… how you don’t know what ‘in bed with’ means, while studying politics for decades is quite incredible to witness or consider.’’

Petra then has to back track like an Amsterdam bicycle in the middle of a dyke flood.

Luckily she has many tentacles instead of human fingers, so it was possible for her to plug numerous holes being sprung before the gushing became unstoppable.

A few days later she was still plugged into the damn thing, starring mournfully above her at the stars she could never reach. Elon MusksRats low orbit scanner pods cross the skies capturing her attention, & with a spare tentacle she eagely tip-taps another bulletin for various N(A)SA confusion agents. The jittery rhythm is smoothed by the fiery eye of Algol, Ra’s al‑Ghul (رأس الغول) “the Head of the Ghoul…’’, coalescing into Algol-Rhythms.

The data-deluge is eternal, infernal & aimed at being internal. While so far no one can recognise that Humanities ID is being externalised into virtual space- to make room in their minds & fulfil feverish functions.

We will pause there in case it is all too exciting to endure ! 🙄😶

Tomorrow I will post the second (shorter) half of this, featuring -

WHAT DOES BOB HAVE TO SAY ?

Interview

The Anxiety Arena

Collapse & Aftermath
Identity Maintenance as the Primary Driver
Dollhouse Cognition: Closed Symbolic Worlds

among other angles of view.

What happened was this-

I write email to Bob Moran & ask if he would like to chat. or if he has a quote about the horrid ways of the Miri ArF hounds, such as their instigator- puppy mush Francissy O’Neil, & biggest fan- ‘Maggot Priest’ Mark - her husband; & spare hat.

The 3 part expose of her Vulture Initiative ways was linked for his consideration; & he was asked if he had anything to say about it…

After waiting a few hours feeling increasingly impatient I promptly sent another email. This one told him how impatient I was, ‘hurry up & get a move on, I have work to finish here !’ , I pound out upon my laptop. Within a few hours he replied.

(actually it was slightly longer before attempting to pester him again ,but this is my artistic licence to appear unreasonable & demanding 🙄😄 )

As to the events of that response: I will discuss it in a soon-come post, that deals in more focus with the Ruckassination upon him.

Anywayhow, good friend RAMona got tip off that Bob was doing a media photoshoot not far away from where we were.

So we call some specialists we know -who have some contraband Dodo DNA at a good rate. We then make haste to hop on Londons always grubby tube transport system (do the cleaning staff actually spend all day depositing grot, because they never appear to clean anything?) , & we arrive in perfect time to meet up with their fresh specimen; uncannily just as Bob finished his MSM shooting: he was waving goodbye to some okey-cokey luvies, & a flouncy gossip columnists, while their make-up team was packing up.

The msm crew shot off fast, but the make up team lingered about to gossip with Ramona about their arrogant employers. I get several photos of them , shown here at the end of the piece.

In a moment I will narrate through the images we captured that day, but first…

Here is lovely painting I make of the event a few days afterwards. This is early on, as the Dodo is getting to know Bob. As an unorthodox introduction it tries to savage him while trying to eat the buttons on the expensive designer jacket he wears.

Yes this really happen.

Here below is previously shared photographical image that shows the excitement of this noisy encounter.

Bob may look joyful from a distance, however if you zoom into his face, you will see pure unmitigated nightmare expression of impossible horror etched into his features.

Who Knows what goes on the mind of a Royal Pigeon ? The two on the far right appear very cosy & I am concerned that acts of violence may be a stimulus for them. Already they have wantonly discarded their garments, & seem engaged in lewd activities.

To defuse the situation, & threat to Bobs good looks; I rustle some alluring crisps we have in preparation for such emergencies.

The Dodo become distracted & momentarily ignores Bobs squirming form beneath it. It is now focused on the rustling crisps … I feel some tiny eruption of relief & heartfelt joy… our tactic worked!

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Or maybe not…

The Dodo quickly ignores my rustlings & continues trying to masticate Bob with its beak.

Bob then scurry across the bench, & takes a defensive posture that I would consider ill-advised- due to opening himself up for an attack from the rear.

If the Dodo is a male being, & also LGBTX etc it may well now try & get inside of Bob, & he would then be utterly at the Dodos passionate whim…. It may be preferable to be eaten instead…. Does anyone know how big a typical Dodo dick is I wonder?

Never mind, I should not have worried about any of that latent hardcore horror, & instead focused more on the strange intensity of the Royal pigeons- now starring directly at me….or the packet of crisps….the look in their hungry eyes seemed to oscillate between me & the crisps, I couldn’t be sure.

Then everything went very quite, almost silent; as if sound was being sucked out of the air, to be focused within their primal anticipatory urges...

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WTF!

At least Bob looks mildly relieved, perched on the bench out of danger.

I jolted back in surprise (& some fear,) loosing my footing in the process.

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I noticed with almost supernatural clarity that it was a a very clear & sunny day, and suddenly find myself focused on a miniscule insect wandering the inside of the street-lights glass globe casing above me… just micro seconds before becoming momentarily knocked unconscious by a hefty impact.

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I recovered quickly (after only a few minutes) & gave the camera to Ramona while I tried to focus clearly. Then I nursed my new little head-bump with some gin & tonic, while patting myself with an ice pack.
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While I was recuperating Ramona managed to placate the Dodo & reassure Bob somehow. With great excitement we prepared to get some funny photos of him riding it about, like a tiny fat pony ….although it would be a pony with wings…& a beak. So not really like a pony at all… more like an over-ripe chicken, or cockerel.

Here we see Bob trying to mount it for some kind of pseudo-equestrian exercise. It is apparently safe while Dodos are distracted with crisps.

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But what a disaster!

Bob is no fatty, so the Dodo is just playing the victim & now being lazy!

It does not care what it is meant to do, it only cares about the packet of crisps, while maybe nonchalantly guessing what mystery flavour they are meant to be.

‘‘They all taste like spicy sausage’’, Ramona claims.

Notice how the pigeons have lost all decorum, quickly reverting to their primitive & rowdy state.. look at the mess they are making... they do not even care for their lovely clothing of Ermine & velvet capes…. what ungrateful creatures they have become!

Time began dragging on.

Bob was now worried that if he got off the Dodo it would turn on him, resuming its tormenting ways, so he was still holding tight after a good hour or so. His knuckles where white with exertions.

My main concern was the RSPCA would pounce upon us as reprobates, unlicensed genetic manipulators, or animal exploiters, so was gesticulating to Ramona to get ready to go... as quickly as possible.

The sun was setting & it was getting chilly, all the crisps were eaten;

& then something happened beyond our wildest imaginings…

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They took off…

Look at exuberant features of Bob now!

Even the usually unimpressed pigeons look fascinated by the spectacle occurring before their beady blinking eyes.

A defining moment of history, disproving centuries of academic speculation, manifested before us, captured for prosperity.

Yes, it is now a visual fact that Dodo’s can fly !

Well, at least when ridden by political cartoonists during sun-set hours, after several packets of crisps.

We will have to repeat this experiment & quantify it more accurately at the soonest opportunity. What an exciting avenue of research.

There it was before our eyes…. & the next moment, just a blink later ….

They were gone!

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The pigeons then did something very unexpected.

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One of the pigeons put on a Judges wig, opened a book on legal contrivances, & made some peculiar little noises; while another appeared to be writing it all down with a Dodo feather Quill ( I collect many of these, & will be selling them on my soon-come Substack Merch pages !)

A robot dog & its pup joined the ‘judgement’, wagging their automated tails while making barky, yapping sounds at suitable junctures in proceedings.

Luckily a strangely familiar, kindly old lady appeared. She began to supply more crisps & the royal Pigeons quickly forgot all about justice & judgements. Only food was in their immediate focus. That is when I decided to leap into the picture frame for a laugh; & wave at the camera…

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Bob seemed to bounce into the flower bed & was miraculously unscathed, you can just make out his speed-blurred legs in the photos above? The granny coughed out her false teeth due to such unexpected & rapid compression. It took us all quite a while to find them among the crisp packet debris.

Here is CCTV footage we get from local worker afterwards. Ramona had to do some very cliched flirting tactics to acquire it, but luckily the CCTV operator love Martial arts films - so we just did some donations to their collection.

You may notice there is an unplugged, yet powered on TV set on the pavement. It is old Cathode Ray Unit sent from cheeky pop-band Psychic TV. The reason for its appearance here will be explained another day.

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Here is photo of soon after we arrive. MSM make up crew get to work on the Dodo for free after we chat to them,. They love playing about with the Dodos feathers very much, while the Dodo seem to love all the attention & behave itself. It sit perfectly still for their manicuring & make up applications, without even a squawk or nibble.

Bob seem a bit miffed he was not focus of attention, & sulk into a book he had with him.

I capture quite a few images of the preparations, as it strike me as very unusual that Robot-Dogs wish to pee on lamp-posts like real dogs. One of them even experiment with removing its head & peeing out of its neck.

This make Bob also need to pee, so he nip off to the powder room to refresh & relieve himself. Ramona lingered outside the toilet door to make sure he didn’t escape- she says.

I wont say what is going on with the Robot Dogs in the image above & below, you can see for yourself…🙄🤔😟

Then next day we were passing by we saw that the enterprising Flower Shop was now selling new items at a bargain price!

We have not heard from Bob since this adventure. He may now have his own Dodo & be busy feeding it mysterious crisp flavours or trying to fly upon it at sunset… We can imagine that beneath him stretches a rippling stream, braided among gentle hillocks & barbwire fencing. Trenchcoated, robot-dog walkers will probably amble along nearby empty roads & paths, while Royal Pigeons flutter about looking for crisps & chewing gum… & so it goes.

COMING SOON-ISH

THE RUCKASSINATION ATTEMPT

INTRODUCTION OF BRIEVITY

In a world where most Political Choice is a false choice within a corrupted system, many creative minds consider dissent as the only real choice.

Sadly, dissent is just as open to corruption, contrivance, & artificial agendas as any other human means of expression. Channeling how folk think & feel is older than language itself.

Domestication would never have occurred without such knowledge & skills- where enticements , entrancement, & entrainment all play their part in such manoeuvres. Our entertainers & artists can very often be seducers, & pied pipers, even without being aware of those components themselves.

When more crafty, aware & experienced mercenary minds use such creative forces the results can incite mob hysteria, destroy careers, & ruin relationships…. all the while generating an environment of ill-ease & persistent anxiety. Such power can be used to sublimate or aggravate, as they are elements also used as tactics in war propaganda.

How then can an artist refrain from contributing to the horror & misery, how do they manage to not compound it all, & instead diminish or mitigate it in some way?

— SMELLS LIKE TEAM SPIRIT —

Bob Moran is a creative soul, continuing a long tradition of satire & sarcasm within social criticism. He is a heroic persona for many who enjoy his works as an opposer of Corporate & Governmental oppressions. Why then, would anyone also claiming to ‘oppose oppression & exploitation’, try to smear his name & integrity. Is this subterfuge, slander or lifting the veil of an enemy in the bed, a cuckoo in the pigeons nest, & snakes in the cake ? (I am now just making this up as I go, as such terms are so much fun!)

To refuse & resist travesties & injustices with non compliance & vocal concern takes much moral courage. To do so on the public stage of Main Stream Media (MSM) could jeopardise a career … or enforce some consolidations for it to be allowed to flourish. The later concern is what has set alight all sorts of tedious essays including bitch-fest frenzies & chest pounding defence… & also this post in some ways-which is neither.

The obvious defence for Bob is basically - whoever attacks this noble man, is the ignoble one. That is coupled with the ‘fact’ that - those demonising Bob are less talented … & definitely less popular.

‘Dissent’ is a very incredible word that is noun & verb, derived from the Latin dissentīre ‘TO FEEL’ . It is pronounced exactly the same as Descent- a noun that means the act of moving downward. The same phonetics is true of their inverse -ASSENT & ASCENT. Both those words amusingly have inflationary AND odorous overtones connected with flatulence.

Being a dissenter is not usually conductive to escalating someones career among establishment avenues- such as the civil service, exclusive clubs or societies. Obviously within them it is regulated, conditioned conformity that is a perquisite.

Some will see such things as gatekeeping concerns, where the smell of something fishy is related to overt public dissent, such as we see with iffy geezers like ‘Spider Queen’ Russell B.Rand, ‘Feltch Throat’ Alex Jones, or ‘Mr sneery’ Piers Morgan & ‘vice head’ Jordon Peterson.

It can also be seen in another way, with all the online ‘performatively racially aggrieved’ overt agent provocateurs (especially infesting Substack & ‘x’) , demanding burnings, lynchings, missile attacks; & the wrath of god to settle every injustice, whether real, imagined; or constructed for the Spectacle.

HERE IS LINK TO BOBS WEBNEST & WORKS , including his cartoons for sale. He considers them ART, & so then shall we with our appraisal.

→ THE NEW CRUSADERS & THEIR UNHOLY WAR ←

Bob deals primarily in IMAGES to convey his thoughts , yet often with speech captions , so a sort of art/writing hybrid- this is commonly considered a ‘cartoon’ , comic or type of graffiti. The ways that he does that (his skill) can provide emotional clarity, symbolic purity, and moral absolutism in the viewer- all essences that NuGuru sensibilities crave so much…. This is why he is such a potent figure for them. Yet it is also why certain ‘Influencer Cells’ may be envious, & then become eager to furiously fart-out odorous assertions in his specific direction.

We will consider why this is so with more depth & probings in a few moments, as we also consider the lineage & shoes Bob is filling among artistic history. But first it may be useful to compare Bob to another even more famous & revered creative spirit, an ARTIST that many imagine Bob is very similar to, & inspired by… yet is blatantly neither.

THE ENTROPY EXHIBITION

Hogarth vs Moran

William Hogarth and Bob Moran are both political illustrators, however they belong to different symbolic universes, different political traditions, and different emotional grammars. The comparison persists because both use grotesque exaggeration and moral framing, but we find that the underlying function of their imagery is radically different.

Hogarth’s work is rooted in social anatomy. He dissects society as a living organism, exposing its hypocrisies, vices, and structural contradictions. When he is using the grotesque it is analytical; revealing the machinery of class, corruption, and human folly.

His satire is systemic (as is my own humble works) , which is the missing key of most NuGuru views I have found, this is sad to note, but even sadder is that their audience is even less aware or interested in such factors! ‘ What Hogarth shows so brilliantly is how institutions shape behaviour, how class power distorts morality, and how individuals are swept along by forces larger than themselves. His images are crowded, layered, and narratively complex. They demand interpretation, the more you put in, the more you will get out of them.

Moran’s work, by contrast, is rooted in moral allegory. His images are not social anatomy but moral theatre.

The grotesque is not used to expose systemic contradictions but to amplify emotional stakes. Authority becomes monstrous not because of structural corruption but because of moral failure. Innocence becomes symbolic purity rather than a social condition. Moran’s world is not a system- it is actually a moral battlefield. His images are sparse, binary, and emotionally immediate. They dictate interpretation.

I find that Bobs works are not typically devised for deep thinking or layered nuances, as that would distract from the message:- the IMPACT of the image. In this, his work is more like aesthetic SIGNS than SYMBOLS, the former is ‘a definite thing’, the latter a resonant node of correspondences.

The common ground between Hogarth and Moran lies in their use of exaggeration and moral framing. Both depict authority as grotesque, both use visual distortion to make political points, and both rely on symbolic shorthand, but the similarities end there. Hogarth’s grotesque is satirical; Moran’s is tragic. Hogarth’s world is absurd; Moran’s is apocalyptic. Most importantly for NuGuru dispositions we find that Hogarth critiques society while Moran mourns it… that is ‘progress’ for us !

Hogarth’s political angle is fundamentally material. He is concerned with class, economics, corruption, and the social consequences of vice. His images are filled with objects, settings, and characters that reveal the structural forces shaping behaviour… Moran’s political angle is fundamentally emotional…. He is concerned with innocence, coercion, grief, and moral injury. His images strip away context to focus on symbolic confrontation between purity and corruption.

This difference explains why Hogarth’s work feels humorous even when it is brutal, while Moran’s feels horrific even when it is sympathetic.

Hogarth uses humour to expose complexity; Moran uses horror to eliminate it.

Hogarth’s satire destabilises the viewer’s assumptions; Moran’s allegory reinforces them.

The comparison also breaks down when we consider symbolic literacy. As touched on- Hogarth’s images require decoding. They are filled with visual clues, narrative sequences, and social references. Moran’s images require feeling. They are emotionally legible but symbolically simple. Hogarth invites interpretation while Moral Moran’s work demands agreement.

Finally (for now, as there is so much more I would love to consider in ‘artistic terms’) , Hogarth’s work can be considered as structurally centrifugal as it pushes the viewer outward into society, encouraging analysis of institutions and class dynamics.

Moran’s work is structurally centripetal (vortex-like) , as it pulls the viewer inward into moral emotion, encouraging identification with innocence and wariness of authority. Hogarth expands the viewer’s comprehension whereas Moran intensifies the viewer’s grievance.

In this sense, Moran is not Hogarth’s descendant at all. He is the descendant of propaganda allegory, moral horror illustration, and counter authoritarian emotional critique.

Hogarth belongs to the tradition of satirical social anatomy.

Moran belongs to the tradition of moral absolutist dissent.

The comparison persists because both are British illustrators who depict authority as gruesomely grotesque, yet we clearly see that their symbolic functions, political architectures, and emotional grammars are so fundamentally different that they may as well be working in different fields … or seeing the world as different species…

Clearly, anyone claiming Bob Moran’s work is akin to Hogarth’s is proving how little they comprehend of eithers work, or art history…while also proving beyond argument that they don’t have even the most rudimentary symbolic awareness needed to adequately consider the matter.. which is business as usual in the msm!

Hogarth exposes society; Moran polarises it. Hogarth critiques power; Moran mythologises it. Hogarth is a satirist; Moran is a moralist.

If there is common ground, it is only this: both understand that images can reveal truths that words cannot….. but the truths they reveal belong to different worlds, & are intended for different sensibilities & dispositions.

The ARMAGEDDON FACTOR

The Symbolic Genealogy of Bob Moran’s Motifs

Bob Moran’s symbolic vocabulary did not emerge in isolation. It is the latest expression of a lineage stretching back through British political cartooning, American counterculture illustration, and even earlier satirical traditions. To understand his motifs — the innocent child, monstrous authority, the lone dissenter, the apocalyptic landscape — we should trace their genealogy through the artists, and art movements, that shaped the visual grammar of political dissent.

It could be argued that the earliest ancestor of Moran’s symbolic world is the Victorian satirical press, particularly Punch, & later PRIVATE EYE. In those pages, authority was often caricatured as pompous, bloated, or absurd. However, the satire in it was fundamentally social rather than moral; the grotesque was used to expose hypocrisy, not to frame politics as a cosmic struggle.

While Moran inherits the grotesque exaggeration components, he discards the humour- he is not a comedian. He is not trying to cheer people up. In this his work is more akin to the very excellent Lutheran artist of the DADA movement- George Grosz.

However , where Punch mocked power, Moran mourns its consequences.

His genealogy begins with satire, but quickly diverges into moral allegory.

Some folk may consider him, & similar commentators (including almost all NuGurus) more as doomsayers akin to Jehovah witnesses- who will only ever be satisfied when there is nothing left at all to get vexed about. While others will feel it is a handy job to have - being able to make a living from commenting on all that is annoying to your sensibilities, which is of course what the more prominent NuGurus also manage to do in every missive they masticate into existence.

The next major influence is the mid 20th century grotesque of Gerald Scarfe and Ralph Steadman. Scarfe’s political figures were monstrous, distorted, and psychologically revealing. Steadman’s ink splattered chaos captured the madness of institutions and the violence of conformity.

Moran’s monstrous authority figures descend directly from this tradition, but with a crucial difference: Scarfe and Steadman used grotesque distortion to destabilise the viewer’s assumptions, while Moran uses it to reinforce moral binaries, so that the grotesque becomes a tool of moral indictment rather than a tool of satire.

American counterculture illustration, particularly the amazing MAD Magazine, introduced a different symbolic lineage: authority as buffoon, society as absurd theatre, and dissent as mischievous rebellion.

Moran again inherited the anti authoritarian impulse- but not their humour. His dissenter is not mischievous , they are mostly imperilled. The symbolic genealogy passes through MAD but emerges stripped of irony, leaving only moral seriousness.

Another direct ancestor is the political cartooning of Steve Bell, whose Margret Thatcher and Blair caricatures were anatomically inventive and psychologically sharp. It is as if ex British Empress Magget Hatchers physiology was devised specifically for Bell, Scarf & Steadman to morph & mutate!

Bell’s work understood power as a system, not merely a personality. Moran inherits Bell’s willingness to depict authority as grotesque, but he sadly does not inherit Bell’s systemic literacy. Bell’s grotesque was analytical; Moran’s is very emotional.

The genealogy here reveals a shift from structural critique to moral theatre, because Bob (or almost any NuGuru) is not concerned with the mechanisms’ workings’, processes & necessities- their concern is more an obsession with the interchangeable technicians (the politicians) , & the systems role as an adversary to any imagined utopia.

It appears that Bobs utopian ideal may consist of cultivated hedged fields, nestled among gentle hillocks that are channelling a merry stream of uncontaminated sparkling water…. It would no doubt not take long for midgees (Nematocera) & horsefly’s to be depicted as demonic nuisances…

Finally, & possibly most pertinently we then find that Moran’s motifs echo the visual language of wartime propaganda, where innocence is threatened by faceless enemies, and moral clarity is expressed through stark contrasts. Its a black & white world, painted in watercolours.

The child as symbol of purity, the looming shadow as a symbol of threat, & the lone figure standing against overwhelming force - all originate in this PROPAGANA tradition.

Moran’s work is not propaganda, but it borrows the emotional grammar of propaganda: the world divided into innocence and danger, purity and corruption, humanity and monstrosity. It is a simplistic Black & white morality, a chequerboard of antagonism…. a zone of confrontations.

One artist that is not typically well known outside ‘underground/ old skool alternative culture’, that did the same type of works to a more intricate & nuanced standard is excellent & esoteric American artist JOE COLEMAN, whose work I highly recommend you check out- if it is the sort of thing that intrigues you.

This brief sketch of genealogy we feel reveals the structural truth of Moran’s symbolic universe. He inherits the grotesque from Scarfe and Steadman, the anti authoritarian impulse from MAD, the moral clarity from propaganda, and the emotional immediacy from wartime allegory.

However, Bob discards humour, systemic analysis, and institutional literacy. In that respect he is again exactly the same as most NuGurus, yet I would argue that Bobs ‘performance’ is his artworks, while the NuGurus main performance is not their work, it is persona maintenance… yes ironically it is their identities that are their real ‘art’ … even tho it is almost always scrappy, shallow & without much notable cretive skill. That we feel is the catalysts for their resentments:- identity envy… & lack of craftsmanship… on the surface at least, other considerations will be presented when I publish the ‘Ruckas’ essay in a week or so.

Now, what remains from all this is a symbolic language of moral horror — a world where innocence is always under threat, authority is always monstrous, and dissent is always martyrdom. Bobs motifs are powerful because they are reductive…. and reductive because they are powerful!

We have seen that these motifs are the end point of a lineage that began in satire … and ended in lamentation ….

Many folk of today do not realise what a powerful & potent CULT the Lamenters were, & probably still are. Of course this fact is very obscure in profane history, yet still they can be found throughout the Bible, eager to lament whenever anything turned sour or bitter, & some aspect of death was present. I noticed that they are not mentioned on the internet except as a hybrid confabulation from; ‘‘the Cult of the Lamb, a popular indie game, and the Lamenters, a Space Marine chapter in Warhammer 40,000.’’ …. neither of which I have the slightest clue about.

THE TERMINAL ZONE

What is important about Moran’s Work is how it Enables ‘Dissident Tribes’

Within what we can consider dissident ecosystems, we can see that Moran’s work functions not merely as critique but as identity infrastructure. His images provide emotional clarity, moral certainty, and symbolic cohesion for groups that lack stable leadership or coherent ideology. In this sense, his work enables specific social and psychological dynamics that shape the behaviour of dissident tribes.

Some may consider this a vestige of shamanic roles, the court jester, the incensed preacher, or trade union activist; depending on their disposition,

The first function Moran’s work performs is emotional anchoring.

Dissident groups often form around shared grievance rather than shared policy. Moran’s images give shape to that grievance, turning diffuse frustration into a coherent emotional narrative. His depictions of innocence under threat and authority as monstrous provide a moral framework that unifies disparate anxieties-

The tribe does not need to agree on policy; it only needs to agree on the emotional truth of the image.

In this way, Moran’s work doesn’t just express dissent — it becomes identity infrastructure, the emotional scaffolding that dissident tribes cling to when they have no coherent ideology or stable leadership.

His work becomes a symbolic touchstone that stabilises group identity…. an anchor in chaotic waters.

The second function is Spectre reinforcement.

Dissident tribes rely on external antagonists to maintain cohesion.

They are addicted with making, & finding enemies. Without enemies their reason to exist would cease ! The enemy can be an institution, culture, land mass or person such as $ Bill GATES, Elongated Musk, & very often US Emperor Don the Trumper,…. but it is far better if the enemy is eternal, intangible, nebulous, considered evil, psychopathic, or alien. The vague being called the devil is usually the best culprit.

Moran’s imagery provides a ready made Spectre: a faceless, dehumanised authority that threatens innocence. Innocence is usually symbolised & encapsulated as children in his work- he is not concerned with how selfish, cruel, or even vindictive & petty they can be.

Because the Spectre is flexible enough to be applied to governments, corporations, media, or institutions- it is emotionally precise but politically vague, which makes it ideal for projection.

The tribe can attach its fears to the Spectre without even needing to articulate specific political critiques. Moran’s work reinforces the Spectre mechanism that drives identity maintenance within dissident groups.

The third function is purity signalling.

Sharing or endorsing Moran’s work becomes a way of demonstrating moral clarity and group loyalty. His images are not neutral; they carry an implicit moral stance. To align with them is to align with the tribe’s emotional worldview. This creates a purity economy in which members compete to display their commitment to innocence and their opposition to coercion.

Moran’s work becomes a badge of belonging, a symbolic shorthand for moral alignment. We see this moral one-up-man-ship as one of the most notable factors in the current ruckus. It is framed as a moral war.

The fourth function is unity theatre.

Dissident tribes often call for unity while simultaneously enforcing strict purity codes.

Almost all NuGurus are more oppressive than the (anti-) social machinery they fume against, while ultimately more conformist than the general public- that they condemn to be simple mutton & wool.

Moran’s work enables this UNITY/PURITY dynamic, by providing a shared emotional narrative that appears unifying… but is actually exclusionary.

‘Moran’s work supports this unity theatre’, ‘‘ How so?’’, some may exclaim between mouthfuls of feta cheese & caviar dip.

Well, it is because his imagery suggests a common cause — protecting innocence from monstrous authority — but the moral absolutism embedded in the images makes disagreement difficult. Anyone who questions the framing risks being seen as compromised. It becomes a concrete TRUTH without nuance... a brittle belief, prone to crack rather than adapt…it becomes a performance of solidarity that masks underlying fragmentation.

This justifies the NEW PURITANICAL MANIA infecting apparently all NuGurus. They are not rebels, opposition, or a threat to the system, the system loves their miserable mechanisms- they are the NEW PURITANS:- forbearers of endless finicky INQUISITIONS, herding, & partitioning...

The fifth function is Spectre inflation.

Because Moran’s imagery is emotionally intense and morally binary, it encourages escalation. The tribe begins to see threats everywhere, interpreting minor policy decisions or social behaviours as signs of looming tyranny. This inflation is not caused by Moran alone of course, his influence is not yet universal(!), yet his work does provide the fundamental symbolic vocabulary that makes it possible. The Spectre grows because the imagery demands it; the emotional stakes cannot remain static. This is the same sort if photosynthesis that the THE SPECTACLE conforms to, & dictates.

The final function is the creation of a ‘Silent Sun’.

We see with the latest Ruckassassination attempt upon him, that Moran’s personal silence( his refusal to engage in factional disputes or clarify his socio-political stance) allows dissident tribes to project meaning onto him. He become a symbolic centre. This is not because he asserts authority (he appears a gentle, & even meek being) it is because he refrains from doing so.

His work provides the emotional architecture; his silence provides the social gravitational field.

This combination enables the always over sensitive (yet strangely intellectually numb) NuGurus/influencers & tribes to form around him- without requiring explicit leadership.

He becomes a kind of Silent Sun: saying nothing, yet somehow generating an attractive force that keeps all these jittery NuGurus spinning around him. (I am using the term Sun here in its symbolic sense of a HEART of a SYSTEM, not as an impossible illuminated cosmic fart that combusts for quadzillions of years).

It is a powerful but unstable role he is in, as the O’Neil–Fern collapse demonstrated. (we will scrutinise that in a post soon, among all the ‘still raging’ little tantrums, & resultant chin sharpening motions).

So then in conclusion, we have found repeatedly that Moran’s work enables dissident tribes to stabilise their identity, amplify their grievance, enforce their purity codes, and inflate their Spectre.

It provides emotional coherence in environments that lack structural coherence. It offers symbolic clarity in contexts that resist analytical clarity.

It is not merely ‘cartoon art’ ; it is an essential infrastructure for the field… and like all infrastructure built on emotional absolutism, it is both powerful and fragile…

-RAPING IT UP-

So Moran says nothing, and somehow becomes the gravitational centre of a whole emotional weather system. The tribes orbit him, the NuGurus posture & pontificate around him; plunging deeper into their own identity vortex…, the Spectres inflate above him… and he just keeps sketching his moral nightmares with the calm of a man pruning his hedge, then watering barbed & toxic plants behind his favourite shed.

Maybe that is his trick. Maybe that is his trap. Maybe that is what he has been encouraged or commanded to do… Or maybe that is simply what happens when someone makes images that hit people right in the soft tissue of their convictions & expectations… Whatever the case -for now-, the silence around him is louder than most people’s manifestos — and that, in this era of shrieking personas, is its own kind of power.

All artworks devised & prepared by Nushi- The Blue Sky Maiden- with rendering aid from Chatty Bot Art Minion -

( try & draw & paint all these images in 5 days & then tell me that ‘ai’ art devices shouldn’t be used! 🙄😂 )

> Afterwords<

‘What happened to the interview you teased us with?!’, some regular readers may cry & bemoan…

‘Why haven’t you probed Bobs Newspaper career , his alleged friendships & patrons?’ , others will lament…

’What about the flippin’ Ruckas you keep alluding about?’ , others may remind me in a loud voice, or bold type…probably in upper case typography…

Well, you will just have to wait for that later query,

The middle one is covered by others already, (Francissy O’Neils recent post does a dire job of it). It would take too long for us to confirm or deny, or FULLY research it (such things are proper investigative works that takes weeks to collate properly, even this 4,000 word essay took more than 5 days to research, consider, write, prepare & edit),,,, I am never doing such work again just for Substack. Someone would have to pay me much dunza (£$etc) to endure it all, especially for a subject that doesn’t excite me…. & for what transpires to be often ingratitude, evasion, or mean natured attitudes afterwards…

As for the former query, it will be also covered very soon…

Modern conspiracy culture is a fragmented echo of its origin, an origin so ancient that it began before recorded history, as we will soon investigate.

Sadly it has now become monstrous from mythic hunger.

Conspiracy Culture is nowadays so devoid of genuine symbolic or mythic literacy that it has become another morose mire of misery inflation…. like some stinky gas generator that would combust if subject to any direct light, or spark of insight… most NuGurus remain bogged down with the same old despondency, & their reliable dynamo of injustices.

Some folk will now leap out of their high chairs & exclaim,’ no that is ignorant, there is esoteric Gurus - DJ Mark Deviling & Marty ‘puppy’ Leads , sharing esoteric treasures to the profane’ . Well, they both say plenty of ‘stuff’ to occupy folks thinking, but both prove to be weighted performers more than thinkers ; their errors are possibly a greater confusion than any valid nuances. There are others with more insight out there, but we do not see them promoted at all.

Baby talk of Darkness being evil, goodies & baddies, Satanic Child Killers, & possessed demonic lizard beings dominate too many imaginations…. & I do not say that as an apologist for Possessed Demonic Lizard Beings… or as a Disciple of Darkness ! 🙄😄😅. If our imaginations can not sieve the allegorical from the manifest dangers in life, then what hope do we have?

So, to more fully comprehend the current collapse (that is increasingly impossible to ignore) we must comprehend the origin !

Some very dim & devious NuGurus claim that only a focus on trending events is valid, we should all be glued to the latest CONSTRUCTED SPECTACLE !!! Their reasoning is it may derail the current event’ if it is focused on, but that has NEVER been the case, even with overt constructions such as the Boston Bombing, Sandy Hook, Lee Riggers (amusingly unbelievable) Beheading, or The (now flogged to oblivion) Manchester Smoke & Bang event. How anyone then takes such time vampire clowns seriously, after overt shilling like that, is down to how cognitively constipated, or intuitively ossified their audience is.

911 or 119 :- THE TWIN TOWERS CATALYST

Many pundits appear to imagine conspiracies only began with The TWIN Towers of ‘911’… although if you are not adopting american time phrasings it is actually The ‘119’ event… yet I have never heard anyone mention it as such… is that a pre-devised conspiracy or simply Americanisation of linguistics ?

…I also wonder why it is not the ‘nine hundred & eleven event' for many people; as it is confusing written down. Using little dots between the numbers would make it much clearer. However I joke, it is the TWIN symbolism that has become a TRINITY that is intriguing about using 911 -as it refers to the Americano Emergency Services as well as Americanos contrived Dating, & it pictographically is the event in miniature !

So there is the ‘dial 911 Emergency services’ calamity on that same day; The 11th of the 9th date said in backwards Americano= 911 (!); & the two symbolic towers (the ‘1’s)… & next to them a big puff of smoke; that also looks like an empty speech bubble waiting to be filled up, (the ‘9’). It certainly was a symbolic event, even before any consideration of its placement & purpose!

Of course much of the highlighted symbolism is distraction & noise, yet some is of great resonance, & can be seen as archetypal signatures.

One of the most uncanny was the Paper Aeroplane Origami images made from US CURRENCY (that everyone would have squashed in their pockets or purses), that visualise the destruction during the entire 911 event !

Those images are made by folding the money into Paper Aeroplanes which is of course very disturbingly ironic (if you believe the unbelievable STORY the MSM tell us) , yet we find many more joyful transformations are possible with Origami-

Here below is some I rustled up earlier, (of course that is joking… I have minions to construct such things for me ) …

Today we will go all the ways back, long long ago, before history could be recorded as tangible event , yet had strong symbolic foundations… & all the psychic scaffolding we will need.

I will not bog this down, because it is so very easy to verify, & enjoyable to probe about with yourselves, so instead we can be quite sketchy & provide pointers for brevity.

1. Conspiracy as Cosmic Drama

Before the word “conspiracy” existed, the concept was everywhere.

Every culture had stories of:

gods plotting against gods

brothers overthrowing brothers

priesthoods hiding sacred knowledge

tricksters destabilising order

heroes exposing hidden schemes

dynasties rising through secret alliances

These weren’t “theories”. They were the structure of reality.

In the mythic worldview: The world is a network of hidden forces, and humans live inside their negotiations.

This is the original macro conspiracy model. In simple but practical terms:-

The gods are Cosmic ‘processes & natures’ , while also ‘human nature & processes’.

2. The Gods as Archetypal Conspirators

Every pantheon is basically a political thriller:

Zeus overthrowing Kronos

Enki tricking Enlil

Set plotting against Osiris

Loki destabilising the Aesir

The Devas and Asuras scheming for power

The Jade Emperor’s court politics

The Maya Hero Twins outwitting the Lords of Death

These myths aren’t random stories, they certainly are not LIES as many would wish & claim. They are symbolic maps of human power dynamics.

The gods behave like:

kings

generals

bureaucrats

tricksters

rebels

spies

The divine realm is the first conspiracy literature.

3. Priesthoods as the First Intelligence Agencies

People often forget that Priests were derived from the Shaman & stole their knowledge of external matters, while mimicking the inner ones. Martial Arts, Education systems, Banking & Brewing all derive from Priests & Monks! So, warfare, the soldiers, weaponry, finance & mind control systems were all priestly pursuits once,… as was much festive sing-songs, seasonal revelries… & the intoxicants that they demanded !

The Priests had much power because they had KNOWLEDGE OF TIME & ITS CYCLES beyond a standard single human life span. People who are seduced by (the now popular semi-moronic head game that) ‘THERE IS NO TIME’ , will always evade how much power the knowledge of cyclic TIME actually entails !

Here is the potent social influence, & planning, that the Priest had the monopoly of-

astronomers

mathematicians

archivists

ritual specialists

political advisors

keepers of secrets

They controlled: the calendars, power-political omens, the essential agricultural cycles, the foundation & channelling of literacy, & morally compulsive sacred narratives.

This made them the first custodians of hidden knowledge.

Because knowledge was power, and power required secrecy.

This is the knowable origin of:

“hidden ‘elites’ ”

“secret knowledge”

“esoteric orders”

“initiatory hierarchies”

All of it can be seen to begin here, although much was extant in more diffuse ways before moral regulations were imposed.

When you hear some idealist bleating about ‘‘there should be no secrets’’ that is a very dangerously ignorant or stupid person speaking, or a very devious one who wants others secrets for their own power manipulations. Tied to this sneaky ‘idealism’ is the idea of a singular truth , which is again reliant on a psychically damaged, or infant-like comprehension of existence & its necessary social complexities- from family to statesmanship.

The ‘TRUTH’ can & does CHANGE, to ignore that fact is dangerously delusional. or a tactic of seduction & conditioned conformity.

While what is predictable, cyclic, quantifiable & regulated- is the key to much social control …. & most forms of manufacture & industry.

4. Mythic Conspiracy = Human Psychology Externalised

In the Mythic Era, people didn’t project their fears onto institutions — they projected them onto gods.

The pantheon is a symbolic mirror of standard & essential human traits- most notably beginning with…

fear & desire - the twin leitmotifs of the 20th Century & advertising psychodynamics.

Then, the inevitable seeding & growth factors married to their dynamo of death & decay. This is entangled with the complex diplomacy of rivalry, betrayal, ambition, loyalty, the shadow, & fate. All busy branches of the Tree- & its fruits,yet also its parasites ; its interactive agencies… & the compost that facilitates its growth in the first place !

The gods are the psychological machinery of humanity, dramatised on a cosmic stage.

This is why mythic conspiracies feel so familiar: they’re the archetypal templates for every later political plot.

5. No Paranoia — Just Pattern Recognition

One of the most notable key differences from the modern world is that:

Our early predecessors were attuned.

Whereas today they are paranoid…. mostly justifiably so, as it is a control zone amusement park- for security quantification !

Our early predecessors saw:

cycles

correspondences

omens

symbolic echoes

power flows

relational dynamics

Their world was alive, not abstract & saturated by THE SPECTACLE .

They did not think or express themselves as we do now, their minds worked differently, their sense of identity was different from that of the post Industrialist age… their connection with the environment was more knowingly synergistic. Magical interactions were the language & lexicon of the spirit, everything had its correspondences & sympathetic resonances. They did not need sterile quantification to analyse their existence, the qualitative components were more than enough to be dealing with.

Conspiracy wasn’t a pathology as it is so overtly today… It was a way of reading the world. The language was universal- as comparative mythology & symbolism testify. To ignore that fact is to ignore how networking originated, along with the foundations of esoteric/sacred & exoteric/profane avenues of ‘being & becoming’.

The Mythic Era gives us all of -

the archetypal templates

the symbolic grammar

the narrative structures

the psychological patterns

the cosmological assumptions

…that later conspiracy discourse inherits, distorts, and eventually forgets.

We will continue this chronological journey later, but next we will scrutinise one particular recent event - that ingrains all these factors, then its amusing & inevitable properties can be better appreciated…. even when the participants are utterly blind to it all ….or performing so intently they are lost in the role…

They appear to be in some entranced belief that they are actually in some control of the situation, or controlling their own fates within it. Yet, already certain fractions are sliding into mythic recurrences, & sub-liminal zones of alignment over the matter - which is all very amusing for informed observers, while still predominately a boring & petty indulgence to most other peoples.

NuGurus are always talking a mixture of apparent common sense ‘truth’, & utter demonising rubbish - desperate to terrify their audience or reduce them to a state of miserable despondency.

Here we take a look into the private world of one of them, as they promote their elevated state with an uncanny admission many of us adopted decades ago also- yet do not make a big song & dance about.

We can not reveal who the particular NuGuru is, but there may be a clue next to the clock…

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Coming NEXT (probably) -

THE BLUE SKY MAIDEN INTERVIEWS & OVERVIEWS BOB MORAN

While painting his portrait !

Yes, I have communicated with Moral BOB Moran about the recent Ruckass he was abused with - by Francis ONeiler, Leo ‘Ape Tits’ Biddle, Petra the prolapse defective, & any others eager to prove they are not shills - while so busy acting just like cartoon shills!

So, we will do overview of him, then a few relevant posts connected with it all, then we will look at the Ruckass itself in depth , & explain the machinery behind it, & what it really is about; because no one has the insight to recognise it for what it is yet I feel.

We have not conducted the interview in a proper way yet, but here below is a photo I get from our photoshoot together,

it was taken after I manage to borrow the Royal Pigeons from granny Starmer , & genetically reconstruct Dodo dna from some Walkers Crips limited edition flavourings , merged with a typical household duck- that loves my little pond in the back yard. (that is not an allegory by the way! 🙄😂)

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